The individuality of body horror is its signature attribute. Nothing is more intimate than one’s own body, and by extension, one’s own physical suffering.
While it’s possible to find a lot to worry about in the world of contemporary music, there’s always something new to listen to as well, post-historical, outlying, pre- or anti- or minimally digital music. And so maybe there will be five more years of Swinging Modern Sounds.
This week in New York, Granta’s Sex Party, The Moth Mainstage presents Saints and Sinners, SLEIGH BELLS perform, Emily Gould celebrates her new memoir with a party, Sebastian Junger discusses…
I was waiting on a couple the other night at a restaurant where I work, and I saw a strange box on their table that had Jonathan Lethem‘s name printed…