While the great classics studied in classrooms everywhere tend to have very memorable titles, those classics could have received slightly different treatment had their working titles been used instead. Over at Electric Literature,…
Book titles are an essential component of the texts they gesture at. They’re also advertising. At Catapult, Hannah Gersen recounts the naming process for her novel Home Field: A short story title…
If there are indeed an infinite number of universes, it’s nice to think there might be one where all of the books we have come to know bear their original,…
What patterns, dreams, and desires lie hidden within the ostensible hook of a novel’s title? Dustin Illingworth, for Lit Hub, explores the keys to a successful book title after considering, among others, The…
Greek for “of equal number of clauses,” isocolon is a rhetorical device that produces a sense of order by balancing parallel elements that are similar in structure and length within…
SF Gate has a neato slideshow comparing American book covers to their foreign editions. Sometimes they change barely at all (Jesmyn Ward’s Salvage the Bones), while sometimes they’re unrecognizable—Maggie Shipstead’s Seating Arrangements…
It’s funny, I love Miranda July’s stories but Gordon Haber at Bookslut is insightful about her varied titles: “We Are Vaguely Included seems to show the influence of Miranda July,…
What makes a good title? The Great Gatsby is one for the ages—but it wasn’t Fitzgerald’s idea. He wanted to call his novel Trimalchio in West Egg, which sounds like something Dr. Seuss dreamed up for The Playboy Channel.