Well the only reason Bookslut was interesting was because it didn’t make money, and when I realized the sacrifices I was going to have to make in order for it…
Vulture has a retrospective of 100 years of history-defining jokes. Like this one from The Producers: Springtime for Hitler, and Germany / Deutschland is happy and gay / We’re marching to…
He says he’s not trying to predict exactly what might happen in the future, but instead offer a broad reminder that the present is not the finished portrait it might…
On a technical level, it is possible to write a perfect crime novel. You might say Black Wings Has My Angel is beyond perfection. At Vulture, Christian Lorentzen explains why…
Three more anthologies published last year suggest that while the [short] story remains one of our most flexible popular literary forms, and the quickest to absorb signals from the culture,…
Gabriel Levinson just might operate one of the world’s smallest independent publishers. ANTIBOOKCLUB releases just one book a year and each title is the product of the one-man publisher who…
Graywolf Press has evolved from a tiny, small press into a powerhouse with critically acclaimed as well as best selling titles. Vulture takes a look at Graywolf’s evolution, exploring how publisher…
“The publisher functions more like an executive producer on a movie,” says the nonfiction author Susan Orlean. A New Yorker writer steeped in its culture of obsessive fact-checking, Orlean has…
In anticipation of Zachary Leder’s upcoming biography, The Life of Saul Bellow: To Fame and Fortune, Lee Siegel grapples with the author’s tainted and troubling reputation for Vulture.
At Vulture, Boris Kachka looks into the recent trend of publishing “mega-books,” with the hopes of answering a seemingly straightforward question: “When did book get so freaking enormous?” In his analysis, Kachka touches…