I am glad to be free of that tyrant, even if it means I am an end table waddling inch-by-inch down this path on a foolish mission that might prove impossible. I may be an end table, but at least I am free.
Katy Horan discusses Literary Witches, which she illustrated and worked on in collaboration with writer Taisia Kitaiskaia, out tomorrow from Seal Press.
Ariel Gore discusses her new novel We Were Witches, why capitalism and the banking system are the real enemies, and finding the limits between memoir and fiction.
This week’s story is one of breathtaking imagination and emotional depth, a tale of borders and visas, dreams and language, captivity and liberation. At The Offing, Sofia Samatar’s “An Account…
The Rumpus Book Club chats with Saša Stanišić about his novel Before the Feast, the challenge of writing a plural narrator, working with a translator, and book tours in Germany.
At The Establishment, Annie Theriault discusses the allure of witches and witchcraft for girls that has lingered since the 17th century, musing on how witches both subvert and uphold gender…
One thing that has become clearer and clearer in recent years is that violent extremisms are not created in a vacuum, but rather by human beings whose moral thresholds have been…
The most interesting part of The Witch is that the family is so convinced of humanity’s fallen, sinful nature that it never occurs to them to even look for an aggressor from without.
What’s a witch? Green skin, warts, and broomsticks? A hag bent over a foul, steaming cauldron? A cold-blooded queen in a wardrobe? One thing’s for certain: witches are feared and…