What We Need to Know
Since writing “The Careless Language of Sexual Violence,” I have started paying more attention to how the media reports on sexual abuse and rape cases, the ways the media frames these issues, and how they report on the victims. I’ve noticed that there is often some kind of qualification about the victim (and certainly, this is not new), where we learn about what the victim was wearing or drinking, or that it was late at night or that there was partial consent or that the victim comes from an economically depressed community—information that should bear no relevance whatsoever. These qualifications often seem to imply that criminal acts are somehow justifiable. It is disconcerting, at best.
It’s been about a year since I wrote that essay and I’m still thinking a lot about language, its limitations, and how we often stumble when trying to find the right language to write about the complex issues of sexual abuse and rape.
I’ve been following the growing sexual abuse scandal in Los Angeles at Miramonte Elementary School with real sadness.

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Alex Gilvarry’s
Rachel Eliza Griffiths’ Mule & Pear is one of the most affecting books of poetry I’ve ever had the pleasure of reading.
The most frustrating part of not being able to keep quiet about the willful ways in which people are perfectly happy to enable the status quo is that when you voice concerns about the lack of diversity in any given arena, you are automatically positioned as that person, the shrill and humorless obsessive who simply cannot let things be.
The measure of excellence is a pursuit with which writers and critics are often intensely concerned. At the end of each year any number of magazines and organizations issue a list or series of lists to quantify the year’s best books, stories, poems, and essays. 
Life is the one disaster that is also a miracle. Or perhaps life is the one miracle that is also a disaster. 
When my brothers and I
Every day, terrible things happen in the world. Every damn day too many people die or suffer for reasons that defy comprehension.
This is a vocabulary-based reference for
Last week journalist
Blake Butler is the author of There Is No Year (Harper Perennial, 2011), Scorch Atlas (Featherproof Books, 2010), and Ever (Calamari Press, 2009).
I stopped counting when I reached eighteen moves. That was a few moves ago. I am very good at packing my life into boxes.
There are crimes and then there are crimes and then there are atrocities. These are, I suppose, matters of scale. I read an
ACT ONE
