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Last Book I Loved

The Last Poem I Loved: “Snow for Wallace Stevens” by Terrance Hayes

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The only time I had the privilege to meet Jake Adam York was after a panel he participated in at the 2012 AWP Conference. The panel was called “In White: White Poets and Race,” and I was hooked. For so long I had yearned to write blues poetry, to sit down and dialogue about race and history (as James Baldwin discusses in his essay “Unnameable Objects, Unspeakable Crimes”) with other people and through poetry.

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Letter to An Imaginary Friend: Super-Sized Rockin’ Poetry

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If Thomas McGrath were a painter, he would apply fat brushes to giant canvasses in complex color and texture. Gershwin’s gloss and the landscape of Copland are tame music compared to his. McGrath writes in the dissonance of Ives – American cacophony in contrasting threads of autobiography and cause, the red-white-and-blue Midwest against a vein of committed activism.

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The Last Book I Loved: “Please” by Jericho Brown

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Jericho Brown’s Please explores the way love and violence coexist with each other and how the two sometimes intertwine. The collection of poems is categorized by four sections: “Repeat,” “Pause,” “Power,” and finally, “Stop”; the first three sections address self-identification both psychologically and sexually, his relationships with his father, mother, and lovers, and what it is like to tame terrorized beauty.

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The Last Poem I Loved: “Oh Karma, Dharma, pudding and pie” by Philip Appleman

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Of all of the people I know who own a smartphone (a majority, anymore), most of them get up in the morning and immediately reach for said smartphone from their cozy nest in bed. The first thing they do is check Facebook and/or Twitter, or they check the news and post links to news stories on Facebook and Twitter.

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The Last Poem I Loved: “Sleeping Lioness” by Larry Levis

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As a fiction writer, and as a reader, I gravitate toward stories from the perspective of a specific, imperfect and alert, outward-and-inward-looking consciousness, a transparent eyeball with legs and, at least occasionally, uncomfortable shoes. The danger of a story centered around the drama of attention and understanding—of a character trying to see and not only act but also understand the world—is the ever present pull toward (even temptation of) a resolving moment of insight, an epiphany, that may not be necessary, earned, correctly scaled.

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The Last Web Comic I Loved: Forming by Jesse Moynihan

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As a fiction writer, I sometimes get jealous of the storytelling freedom in comics.

With prose writing, everyone seems determined to fit stories into predefined boxes. A work must be “literary” or it must be “genre,” it must be “science fiction” or it must be “fantasy,” it must be “serious” or it must be “comedy,” etc.

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The Last Poem I Loved: “The Bells” by Adam Zagajewski

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My maternal grandparents emigrated from Poland in 1924 after experiencing the horrors of World War I. They arrived here with pockets full of hopes and dreams and little else. I never met them; they died before I was born. I know them only through Mother’s stories and the handful of cherished items left her: three Catholic prayer books, written in Polish; a thread supposedly from the robe of the Black Madonna, a Polish saint; and a crucifix for last rites crafted in Germany.

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Miss Lonelyhearts, Nathanael West

Michael Jauchen: The Last Book I Loved, Miss Lonelyhearts

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I read a lot in the bathtub.

This isn’t because I’m particularly drawn to cleanliness, but because I’m drawn to the readerly space that a hot tub of water can create. The stillness of a full bathtub—that sporadic spigot drip, the lazy drawdown of heat, the tiles’ passionless whiteness—spins a hive of deep focus for me.

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lorrie1

Betsy Stewart: The Last Book I Loved, Birds of America: Stories

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I am a voyeur to the core. Keep your house lit at night and I will peer in to see how you spend your time alone, or what colors you’ve painted your walls. Invite me in and I will pick through your bookshelves and look at all your family photos on the mantle while you make me a drink. Ask me to stay and I will rummage through your things for what you’ve been hiding in those closets of yours. Write me a book with characters who are so real and precisely drawn that I can feel their warmth in the seat next to me, and I will sign out of Facebook and devour it.

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Storming the Gates of Paradise, Rebecca Solnit

Teow Lim Goh: The Last Book I Loved, Storming the Gates of Paradise

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Three years ago, I bought Rebecca Solnit’s essay collection, Storming the Gates of Paradise: Landscapes for Politics, on a lark.

At that time I was beginning to write, trying to find my voice. Three years before that, I had moved from the Midwest to Colorado with the boy I would much later marry.

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Never Let Me Go, Kazuo Ishiguro

Alexa Dooseman: The Last Book I Loved, Never Let Me Go

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The problem with writing about Kazuo Ishiguro’s Never Let Me Go is that I can’t discuss the plot. A blend of science fiction and literary narrative, the novel hinges on a secret, a secret so all-encompassing and imposing, so carefully revealed, that if I were to divulge it, I would ruin the book.

That being said, here’s what I can tell you…

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