Be warned: Char demands much from his reader. His poetry seems to exist in a limbo, where emotion and intellect meet with startling results. His labyrinthine vision leads the reader into a universe where everything seems transformed.
Each conceit, each stanza, each line in Lovely, Raspberry sparkles with such wonderful ambiguity of thought that is, paradoxically, a type of clarity; through Belz’s absurdism, aspects of the human condition are illumined in unique, resonant fashion.
Sandra Beasley’s crisp images and multiplicities galore construct an enlivened world for her reader, bringing what Gregory Orr calls, “authority of imagination…” Each poem is an experiment that recreates from the codex of language a powerful brand of imagination.