The Daily Rumpus
Get Our Overly Personal
Email Newsletter
Director Mark Osborne describes to Vulture how he adapted Antoine de Saint-Exupéry’s The Little Prince into an animated film:
...more“When you’re reading the book, you’re told over and over again in the text, ‘These drawings aren’t very good,’ and you’re actually being tricked into imagining the reality Saint-Exupéry was trying to depict,” says Osborne.
Tech evangelicals believe that static, non-visual storytelling like books must evolve and adapt to continue to attractive audiences in the future. Kill Screen takes a look at some of these new types of literary storytelling, like Madefire’s digital storytelling app that features animation technology, and Tapas Media, which builds games around chapters.
...moreIn honor of National Poetry Month, the Washington Post had ten designers create short animations to accompany excerpts of poems.
...more
In a whimsical animated video by The Future of StoryTelling, the legendary Margaret Atwood explores the intersection of technology and storytelling. “I’ve always been interested in new things… I walk around in a state of wonder everyday. Everything is exciting,” Atwood says.
...more
That’ll be the name of the documentary that gets made when people learn to love Lee Marrs. Who is Lee Mars? Honestly, I don’t really know who she is. I’m sure I could ask her. I could actually call her on the phone.
...more
The New York Comics & Picture-Story Symposium is a weekly forum for discussing the tradition and future of text/image work. Open to the public, it meets Monday nights 7-9 p.m. EST in New York City.
...moreIt’s not every day that The Rumpus finds itself immortalized in animation form.
Contributor Yuvi Zalkow was so inspired by his recent interview with Thaisa Frank, he made a fantastic little short about it. We’re always happy to see art beget art, and we couldn’t be more thrilled about this.
...more
There are certain places in the world that conjure an almost universal sense of longing; places that seem to carry a palpable sense of themselves in the air, and places whose tumultuous histories have created masses of displaced persons who feel as though they might never go home again.
Levni Yilmaz is the creator of “Tales of Mere Existence,” a web based series of animated shorts that have evolved into a successful comic.
It must take guts to embark upon a film like 9, Shane Acker’s dark and thrilling feature-length version of his 2005 short film of the same name. Thick with paranoid dread and post-Apocalyptic atmosphere, 9 is a film with so many obvious antecedents
