Cartoonists tend to stick together because they have to; . . . their work is disproportionately singled out for suppression both abroad and in the U.S., while at the same time often regarded as not “serious” enough to deserve a full-throttle defense.
Posts Tagged: Art Spiegelman
The New York Comics & Picture-Story Symposium is a weekly forum for discussing the tradition and future of text/image work. Open to the public, it meets Tuesday nights 7-9 p.m. EST in New York City....more
Arguably, no other story has been made to express absolute black and absolute white as clearly as World War II. So how can an artist integrate the textures of grey that make a story truly poignant?
In an essay for The Millions, Charles-Adam Foster-Simard reviews an Art Spiegelman exhibit at the Vancouver Art Gallery called “CO-MIX: A Retrospective of Comics, Graphics and Scraps.”
It’s as good a reason as any to explore the medium of graphic novels and the difficulty of making art about the Holocaust, and Foster-Simard does so in a way that really illuminates Spiegelman’s impact on comics and literature....more
MONDAY, October 12, 2009 – SUNDAY, October 18, 2009
This week in New York, The New Yorker Festival hits town. And yes, while the “Humor Revue,” “About Towns,” and “Kaffeeklatches” seem to have been sold out before they were on sale, there’re still some good readings and “Screen Gems” available, and a slim, if precariously so, window for getting tickets to sold-out events (see below) – and see a full schedule here; A Festival of Frightening Movies begins at Lincoln Center, and Spike Jonze week continues a the MOMA, in celebration of the Friday release of Where the Wild Things Are....more