Comic publishing pioneer Françoise Mouly discusses bringing comics to the mainstream, life at The New Yorker, and the burdens of being legendary....more
Posts Tagged: Art Spiegelman
Arguably, no other story has been made to express absolute black and absolute white as clearly as World War II. So how can an artist integrate the textures of grey that make a story truly poignant?
In an essay for The Millions, Charles-Adam Foster-Simard reviews an Art Spiegelman exhibit at the Vancouver Art Gallery called “CO-MIX: A Retrospective of Comics, Graphics and Scraps.”
It’s as good a reason as any to explore the medium of graphic novels and the difficulty of making art about the Holocaust, and Foster-Simard does so in a way that really illuminates Spiegelman’s impact on comics and literature....more
Spiegelman says that superhero comics were read by the kids who beat them up. Crumb adds, “Cute animals were good.” Spiegelman agrees....more
MONDAY, October 12, 2009 – SUNDAY, October 18, 2009
This week in New York, The New Yorker Festival hits town. And yes, while the “Humor Revue,” “About Towns,” and “Kaffeeklatches” seem to have been sold out before they were on sale, there’re still some good readings and “Screen Gems” available, and a slim, if precariously so, window for getting tickets to sold-out events (see below) – and see a full schedule here; A Festival of Frightening Movies begins at Lincoln Center, and Spike Jonze week continues a the MOMA, in celebration of the Friday release of Where the Wild Things Are....more