For the Atlantic, Cody C. Delistrarty ponders whether a person can learn to be creative, or if he or she is simply born with the trait. Framing his essay on Mary Shelley and her writing process for Frankenstein, Delistrarty presents several prevailing theories, among them that an “openness to experience” is often crucial for an artist’s work....more
Posts Tagged: Atlantic
I have to remind myself that all is permissible. Art has to be a free space. Language has to be a free space. And I just shouldn’t worry about that kind of thing while I’m working. I might pay the consequences later, but that’s not my problem while I’m doing the writing.
The rules of shelving can seem arbitrary, even arcane, but the fundamentals are easy to learn: two hard covers, and no more than three paperbacks of the same title, on each shelf. The exception is the face-out. If the jacket is displayed horizontally, behind it you can stack as many books as can fit.
In the midst of debate surrounding the Washington Redskins’s trademark cancellation, linguist Geoffrey Nunberg reminds us that a word is never completely free of its etymology. Rooted in a tradition of spectacle and minstrelsy, the use of a racial slur to market a football team not only perpetuates harmful, dated stereotypes but also denies Native Americans the right to reclaim their history through language:
Of all the things that defenders the name have said, there’s nothing to touch the effrontery of Raskopf’s assertion “This is our word”—as if the team had the power to pluck the word out of history, both theirs and its own, and oblige everyone, Indians included, to honor their meaning of the word.
How does a child experience a book? It’s such a different experience reading on a tablet or a smartphone. A physical book has a heft, a permanence that you don’t get digitally. So our hope is that the bookstore will remain a vital, important part of communities across the country and the world.
Fearing the depreciating value of the humanities fields drives away talent and financial resources, concludes Benjamin Winterhalter, writing for the Atlantic. Humanities subjects include research areas often difficult to assess through quantitative methods, but, despite policymakers’ interest in statistical data, many problems facing society are more complex than simple numbers:
There is little sense in denying that there is a crisis afoot in the humanities.
Science fiction has a hefty brilliance to contribute to the literary world, but people often scoff at it as light, genre fiction. The Atlantic explores why science fiction is just as, if not more, relevant than non-genre fiction.
Science fiction, I’ve always felt, is part of that fantastical tradition.
Have you been wondering what the point of the AWP conference might be to the 11,800 who attended this year? The Atlantic gives the ins, outs, and mishaps of the conference, along with tenuous or even doubtful optimism for the future of publishing:
I asked the editors of two-dozen journals to briefly describe their publications and what they look for vis-à-vis content (genre, aesthetics, etc.) and the response was universally this sentence: “We publish poetry, fiction, art, and creative nonfiction.
An article in the Atlantic discusses the Washington Post’s graph that charts undergraduate degrees and their expected income levels.
The Post’s graph seems pretty deterministic (or maybe it just reflects how trendy it is to plot income level against groups of people), implying that all humanities majors get ready for frugal lifestyles in education and social work....more