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Posts Tagged: books

“Revolutionary, Disruptive Technology”: The Business of Books

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What is particularly crucial to understand is that books were not dragged kicking and screaming into each new area of capitalism. Books not only are part and parcel of consumer capitalism, they virtually began it.

In an essay for the Virginia Quarterly Review, former head of Soft Skull Press Richard Nash explores the business of literature with an almost alarming degree of thoroughness.

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Emily Dickinson Reader

The Emily Dickinson Reader by Paul Legault

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At their best, love and translation share some contradictions, including selfishness and generosity. Translation is impossible, or at least not very good, without a passionate desire to own the material and leave one’s mark on it. At the same time, few translators want to “hide the light” of their translations “under a bushel.” The translations they undertake and complete belong to them, are marked by them, and yet they are without much value unless shared.

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The Moon and Other Inventions

The Moon and Other Inventions: Poems After Joseph Cornell by Kristina Marie Darling

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The Moon & Other Inventions: Poems After Joseph Cornell is a fully enchanting if somewhat mysterious collection of poems, written entirely as footnotes, by the prolific Kristina Marie Darling. Although the book’s subtitle suggests Cornell as its primary subject matter, these poems are inspired by Cornell’s use of assemblage rather than derived from or driven by it.

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Fair Copy

Fair Copy by Rebecca Hazelton

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The subjects in Rebecca Hazelton’s debut collection, Fair Copy, are unmistakably specimens: alien creatures teeming under glass—animated, cellular, breathing. This isn’t surprising when you consider each poem was born from the first line of every twenty-ninth poem in Emily Dickinson’s Complete Works, a conceit born out of the poet’s kinship with the number (she was twenty-nine when she first composed these poems) and the poet.

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New Shoes on a Dead Horse

New Shoes on a Dead Horse by Sierra DeMulder

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Winning just about every national poetry slam competition there is, Sierra DeMulder’s words and poetic swagger have won untouchable real estate in my bookshelf. DeMulder’s newest book, New Shoes on a Dead Horse re-defines confessional poetry; in fact, it pushes it aside and claims there is more to each and every picture.

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Word on the Street

The Word on the Street by Paul Muldoon

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The Word on the Street is not Pulitzer Prize winner Paul Muldoon’s first work of writing for music. He wrote librettos for four Daren Hagen operas; Shining Bow, Vera of Las Vegas, Bandanna, and The Ancient Concert and worked in rock ‘n’ roll, writing for The Handsome Family, collaborating with Warren Zevon, and playing in and writing for two other bands; Rackett and The Wayside Shrines.

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Sightseer

Sightseer by Cynthia Marie Hoffman

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Cynthia Marie Hoffman’s excellent debut poetry collection, Sightseer, is part travelogue, part epistle, and part reclamation of the very idea of tourism. The winner of the Lexi Rudnitsky First Book Prize, Sightseer briskly circles the globe, from Provincetown to Russia to Ireland to Poland, in poems that address the various onion-domed cathedrals, seventh-century castles, and oyster-laden beaches that the speaker encounters along the way.

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Reluctant Mistress

Reluctant Mistress by Anne Champion

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Anne Champion’s dazzling first book of poetry, Reluctant Mistress, offers readers a thought-provoking revision of the love lyric, rendering this rich literary tradition relevant to a postmodern cultural landscape. While invoking couplets, tercets, and other vestiges of her artistic heritage, Champion’s poems interrogate the power relations implicit in traditional love poetry, redefining their terms with subtlety and grace.

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