In a world where the selfie has become our dominant art form, tautological phrases like “You do you” and its tribe provide a philosophical scaffolding for our ever-evolving, ever more complicated narcissism.
Posts Tagged: Colson Whitehead
Rob Crawford, Sabra Embury, Hannah Assadi, Genna Rivieccio, Amanda Killian, Armando Jaramillo Garcia, Stu Watson, and Daniel Adler celebrate opiates....more
For the New York Times Magazine, Colson Whitehead traces the conception of the “loser edit,” and how it awaits us all. Fifteen years after the emergence of shows like Survivor and The Amazing Race, “the critical language used to carve up the phonies, saints and sad-sack wannabes of [these] reality shows has migrated, and the loser edit has become a limber metaphor for exploring our own real-world failures.”...more
Saturday 11/8: Brooklyn Comic Arts Festival. Mt. Carmel Church, 11 a.m., free.
Elizabeth Lopeman reads Trans Europe Express (November 2014) about an American au pair considering abandoning her host family. BookCourt, 4 p.m., free.
Peter Friedman, Rachel Nelson, Tommy Pico, Blythe Roberson, and Valerie Hsiung read at the What a Long Strange Trip It’s Been....more
After years of anxious separation, people are finally relaxing about the literary/genre fiction divide. Over at Electric Literature, Tobias Carroll asks: now what?
We’re now well into a period where literary writers are able to balance their love for horror (or science fiction, or fantasy) with their craft, and fewer and fewer bat an eye…But now that we’ve gotten past that, there’s another question raised by fiction that falls into the realm of, for lack of a more graceful term, literary horror: how does it deal with our expectations of both of its literary forebears?
In his By the Book interview at the New York Times, Colson Whitehead claims he doesn’t know the name of his all-time favorite novelist:
…because they never wrote anything. They had no inkling they had a knack for writing, so instead channeled that talent into being really nice to family, friends and strangers.
A literary novelist writing a genre novel is like an intellectual dating a porn star, right? Well that’s what New York Times book reviewer Glen Duncan thinks.
In his Sunday Book Review of Colson Whitehead’s complex new zombie novel, Zone One, Duncan sets the parallel between dating porn stars and what he initially perceives as slumming in genre fiction, and lets the rest of the review ride on the back of this comparison. While he’s busy offending sex workers, he also speculates that readers attracted to the story for its post-apocalyptic zombie tale will encounter so many big words as to be morally affronted. Duncan praises the book and comes around to the idea of intellectually stimulating genre fiction, but never quite comes around to the idea of sex workers as intellectually stimulating people, concluding of his imaginary couple only that, “they look pretty good together.”...more
“It started with a dream. I had houseguests and I heard them in the living room making breakfast one morning. I went back to sleep and dreamt that I wanted to go into the living room, but I wondered if they’d cleaned out all the zombies yet....more
More and more “serious” “literary” writers are turning to zombies, werewolves, and vampires for inspiration. This could be symptomatic of something dire or something hopeful in the world of writing. We could dither endlessly about the ramifications.
But perhaps we need to stop abstractly generalizing and focus on specifics instead....more
This week in New York, BookExpo America (BEA) kicks off, and this year with a new feature: New York Book Week–events that are open to the public. Daniel Handler (aka Lemony Snicket) discusses and serves up cocktails, Timothy Donnelly and Matthew Rohrer read, Melissa Auf der Maur performs, Al Maysles and DA Pennebaker talk documentaries, Edward Koren talks about the art of humor with Jules Feiffer, and Matthey Barney’s Cremaster Cycle gets a full run at the IFC Center....more
A NIGHT TOGETHER: Presented by The Rumpus, Tin House and Flavorpill
On April 6, The Rumpus, Tin House and Flavorpill joined forces and presented a night of fiction, music, comedy and general mayhem at the Highline Ballroom. Despite the large size of the Highline, it was a remarkably cozy evening....more
New York writers, win a chance to read your work alongside Sam Lipsyte at our NYC event on April 6. Lipsyte is one of our featured guests at A Night Together, an event The Rumpus is co-hosting with Tin House and Flavorpill, which will also feature, among others, Michael Showalter, Lorelei Lee, Dave Hill, Colson Whitehead, Alina Simone and Jeffrey Lewis....more
This week in New York 2010: Whitney Biennial opens, Gigantic holds a launch party for Issue 2: Gigantic America, Anderbo Reading at KGB, Mary Karr talks with Philip Gourevitch, MOMA premieres documentary about Mikhail Khodorkovsky–Russia’s wealthiest man and one if its most controversial figures, Ted Conover reads, André Aciman talks to Paul Leclerc, and Sam Mendes directs The Tempest at BAM....more
This week in New York, Harper’s presents “Love: A Rebuke” with Colson Whitehead, Heidi Julavits and Sam Lipsyte, Simon Critchley in bed with Cabinet’s Brian Dillon chatting about hypochondria, Vol. 1 Brooklyn and Gignatic present the Greatest 3-Minute Rock ‘n Roll Story Ever, Adam Haslett reads from his debut novel, The Magnetic Fields perform, Zachary German and Tao Lin celebrate the release of German’s new book, and BOMB Magazine hosts its Winter Issue Launch Party....more
MONDAY, October 12, 2009 – SUNDAY, October 18, 2009
This week in New York, The New Yorker Festival hits town. And yes, while the “Humor Revue,” “About Towns,” and “Kaffeeklatches” seem to have been sold out before they were on sale, there’re still some good readings and “Screen Gems” available, and a slim, if precariously so, window for getting tickets to sold-out events (see below) – and see a full schedule here; A Festival of Frightening Movies begins at Lincoln Center, and Spike Jonze week continues a the MOMA, in celebration of the Friday release of Where the Wild Things Are....more
Apparently there was some “controversy” over Colson Whitehead responding to a question about Young Adult books following a reading. Asked for a comment Whitehead explained how he feels about categorizing books....more
“By finding the right words, I master my world; by finding the exactly right words, others can see that their world is identical to mine. We’re all made of the same stuff… I was raised on Richard Pryor and George Carlin, so came to believe in the profundity of the profane.”
From the Colson Whitehead review/interview combo, coming tomorrow....more