Posts Tagged: David Biespiel’s Poetry Wire
Granted my affliction does not in any way parallel the gravity of close friends who aren’t so much battling but, as Christopher Hitchens put it, being battled by cancer, and fatally, I fear, but my affliction, by contrast, my woe, is, to be perfectly honest, more like a pain in the ass....more
Earlier this week, while speaking to some younger poets, I became intrigued with their nascent fascination, to the point of headiness, with all things poetically elliptical, non-linear, and disjunctive. I say intrigued, but in my heart it felt more like exasperated....more
New book reports postmodernists forced to write in rhyme and meter
Exposing widespread abuses faced by beginning poets writing in postmodern verses, a new book titled “Between the Lines,” revealed that poets who write post-experimental poetry are forced by their betters to write, sometimes as often as fifteen times a day, completely in rhyme and meter....more
Not that one needs an excuse such as the imminent threat of nuclear armageddon to read poetry, but the early 1960s might have been a good time to turn to poems for comfort, insight, solace, and understanding about the disposition of human beings to threaten their own existence....more
There comes a time in the process of writing a poem when you find yourself putting the reader’s interests and desires ahead of your own as the poet. Not that the reader is a potted plant, I mean. Because the reader is sometimes hostile, other times skeptical, and still other times easily moved, or hopeful, or open, or predisposed, willing to be carried forth....more
A flurry of last-minute phone calls, philippics, tweets, and Facebook posts by poets and critics late last night failed to break a bitter standoff over the latest poetry-is-dead attacks, setting in motion the first poetry shutdown in the history of American poetry....more
As with the myth of America, America’s poets believe a poem should go from rags to riches. And yet, why so much surprise when it actually happens?
There is more to American poetry than its genial and hospitable prairie lands. And yet the poetry of its postmodern coasts all too often acts like an immigrant who is naive about the nation’s enigmas and repugnances....more
Every since I wrote this weekend with the news that I’m stepping down, after 11 years, as a columnist on poetry for my local paper, I’ve received some very nice farewells. I mean, very nice. One woman wrote me to say she had read and kept each and every one of the pieces in binders marked On Poetry....more
We live in a world where whenever the discussion turns to humanitarian assistance or military intervention what is meant by that is American assistance and American intervention.
There are good reasons for this fact. It was the United States that pushed for the creation of the United Nations in 1945 and then insisted on becoming the organization’s host....more
Mark Edmundson’s take down of contemporary American poetry, “Poetry Slam,” (currently behind the paywall) in this month’s issue of Harper’s, is not so bad really. He’s right about the insularity of the American poetic idiom, the stranglehold of deconstructive theory on the imaginations of younger American poets, the influence of William Wordsworth for two hundred years on American poetry’s sense of ambition as a private rather than public art, the proliferation of teaching the writing of poetry and therefore the difficulty in discerning what might be the, quote-unquote, poetry of the age — notwithstanding that we will never know who those poets are or what those poems are for certain until the age is over....more
The debate about political poetry in the United States sometimes has an arid feel to it. Essential, yes. But fatally so? Not very often.
But poets caught up in violent political events are brethren. I believe it is essential for fellow poets to honor their struggle....more