Posts Tagged: essays
Wherever the boundary between fiction and nonfiction, Geoff Dyer has long since crossed it. For Hazlitt, Kyle Chayka talked to the author of White Sands about the continuum of the critical and the narrative:
If people call it an essay collection, then I immediately want to say, hey, but there are stories as well!
Washington State Book Award finalist and Rumpus Saturday Editor Elissa Washuta was interviewed by Moss about her writing, living in the Pacific Northwest, and pop culture....more
Chipotle’s Cultivating Thought campaign, which has put essays from the likes of George Saunders and Aziz Ansari on takeout bags and soda cups, will expand next year to include a contest for young writers. Students can submit an essay on “a time when food created a memory” through the end of May....more
Electric Literature posts a graduation speech from Vonnegut; he riffs on World War II, busboys, ambition, and suicide notes:
A young woman told me a couple of years ago that she had applied for admission here. The man who interviewed her asked her why she had found the place attractive.
2014 has already been called “The Year of the Debut” as a way of recognizing all the amazing debut novels published over the last twelve months. Now Jason Diamond is calling 2014 “The Year of the Essay,” pointing out the growing popularity in the non-fiction form and telling us why he values it so much:
Reading fiction is one of my true loves, but essays help me to understand things about the world, the writer, and if they’re really great, myself.
The Daily Beast takes a look at the history of the female essayist from Didion to Dunham:
From cultural critic Susan Sontag and journalist-turned-screenwriter-turned-novelist (and Dunham’s mentor) Nora Ephron, and on through to the host of talented female essayists writing today, this is clearly a flourishing genre that the following women writers—in my mind some of the best writing today—are very much making their own; as Carol Hanisch famously declared in 1969, the personal is political; if, that is, one’s personal experience is mined eloquently and intelligently enough.
Many readers, and perhaps some publishers, seem to view endnotes, indexes, and the like as gratuitous dressing—the literary equivalent of purple kale leaves at the edges of the crudités platter. You put them there to round out and dignify the main text, but they’re too raw to digest, and often stiff.
Writers Rivka Galchen and Zoë Heller, over at The New York Times, discuss the question that will never go away: can writing be taught? They raise valid points about whether teaching writing is fundamentally different from teaching something like science and the rigid way American high schools teach essay writing....more
Memoirist (and former editor-at-large of McSweeney’s) Sean Wilsey talks to The Atlantic about his essay collection, More Curious, and why humor writing resonates:
I think there’s something dishonest about writing that isn’t funny. I can’t engage with a piece of work without an element of humor to it.
What’s the difference between an essay and a novel? Teju Cole considered that question in his 2012 essay, “The White Savior Industrial Complex,” writing that essays have points, while novels do not.
While Cole continues to stand by this essay, he admits that there are exceptions to this rule....more
Gila Lyons has a strikingly vulnerable essay at The Millions about her decision to start taking anti-anxiety medication. Typically, artists who suffer from mental health issues opt to ride against the current and let their creativity take precedent. Yet, Lyons took the road less traveled and chose mental stability over waxing genius....more
Ideally, online longform nonfiction combines the strengths of the print world with those of the Internet, granting writers the rigorous editing and reporting resources they’d get at a magazine but freeing them from the constraints of word limits and limited audiences....more