Posts Tagged: Hobart
At The California Sunday Magazine, Brooke Jarvis has a devastating piece about missing persons and family members lost over the border.
For VIDA, Jean Ho shares her discouraging experience at the Bread Loaf Writers’ Conference.
And here at The Rumpus, Chellis Ying writes about rock climbing in China, which turned out to be an opportunity for both thrills and connection....more
What would you give to be happy, fun, anxiety-free? Would you give your soul? This is the question Deirdre Coyle asks in her story “Fun Person,” up at Hobart this week. The story opens with the narrator vomiting on the sidewalk outside of a bar, but not for the obvious reasons one might vomit in such a location....more
After I wrote Pity, I assumed only women would read it and men would mock even the idea of it. I think this lazy premonition was a result of receiving feedback years prior from a male editor that told me my first chapbook was immature and superfluous, simply because it was about female friendship.
This week brings us two stories in translation. First, “Six Days in Glorious Vienna,” at Hobart, is a quiet story with a punch. By Japanese author Yoko Ogawa and translated by Stephen Snyder, the story is part of the anthology A Kind of Compass: Stories on Distance, released on Thursday by Irish publisher Tramp Press....more
There is a common rule in fiction writing that you should never write about dreams. It’s engraved in stone right next to “burn all adverbs.” Dreams are a lazy way to show action that doesn’t happen, or even worse, to fool the reader up until the surprise twist ending of “but it was all a dream!” And after all, dreams aren’t real....more
Think of the most complicated and intriguing people you have ever met. Think of the way it feels to return to those people again and again, each time finding some new facet of truth, beauty, insight, originality. Michael Cunningham’s “White Angel” is a story like one of those people....more
Over at The Millions, several esteemed editors discuss their journals’ rejection policies. Magazines represented include The Paris Review, Hobart, The Rattling Wall, The Harvard Review, and others. It is wonderfully humbling as a writer to be reminded how difficult the task of rejecting good work can be....more
“Laughs were out, torture porn was in.” Colin Bateman wonders what happened to humor in crime fiction....more