Posts Tagged: interview
Following the release of his latest mixtape Coloring Book, Chance the Rapper spoke with Zane Lowe in a lengthy interview about the work, the recording process, and the artist’s growing collaborative relationship with Kanye West. Listen to the full conversation via okayplayer and stream the mixtape here....more
Washington State Book Award finalist and Rumpus Saturday Editor Elissa Washuta was interviewed by Moss about her writing, living in the Pacific Northwest, and pop culture....more
Sarah Galo interviewed Molly Crabapple for Guernica. They talked about race, violence, innocence, and narrative voice:
Lately, I haven’t been putting myself into my work that much, because I’ve just found the stories of the people I’m talking to much more interesting than my reactions to them.
Electric Literature posted a conversation with author Sandra Cisneros, in which she talks about books and their healing power, and the importance of poetry today:
This is a time for poetry. Poets are the ones who are always called to speak the truth, to say the most courageous things and write from that room that bypasses the personal censor, which is the worst of all.
In a recent interview with Vanity Fair, Rihanna talks about her career up to this moment, going into depth about the ways in which she has seen worldwide success, public shaming, and private tragedy. She also begs the question of why so many were outraged in the moment of the Internet fallout regarding Dolezal’s ethnic heritage:
I think she was a bit of a hero, because she kind of flipped on society a little bit.
When Tao Lin asked Ben Lerner about his new novel’s epigraph, Lerner touched on the merits of the parable:
I think the parable is a peculiar way of saying that redemption is immanent whether or not it’s imminent, that the world to come is in a sense always already here, if still unavailable.
When the The New York Times asked for his background, Ben Lerner answered the best he could:
“Suburban-white-kid crime, Columbine High School sort of thing,” he said. “A violence of numbness and identitylessness.”
In the Parul Sehgal’s piece, the author of Leaving the Atocha Station also touches on parenthood, Joan of Arc, and his upcoming novel, “10:04”....more
John Freeman knows authors. Last year he published How To Read a Novelist, a collection of 55 author interviews. In this month’s issue of BOMB, Freeman interviewed Rumpus Essays Editor Emeritus Roxane Gay calling her “the best thing that came out of Nebraska since the 1971 Cornhuskers football team.”...more
“What I hope, eventually, is that I can get to a situation where I’m spending most of my work time on the projects I care most about—the stories, the novels, the screen work, the essays—and carve out more time for reading and for doing things that aren’t work.
There is a great interview over at BuzzFeed Books with George Saunders in which he discusses Arthur Miller’s Timebends and what he believes the purpose of art is.
I also found myself really excited by Miller’s basic assumptions about art: It’s important, it is supposed to change us, it’s not supposed to be trivial or merely clever, it’s one human being trying to urgently communicate with another.
Here is probably one of the coolest quotes ever seen in an interview:
“I do think there are tons of straight women involved in radical communities whose family and gender roles are being played with and redefined, but I think that it’s probably a choice for those women to shake off what’s expected of them, while for queers, nothing is expected of us, so we get to make up everything as we go along.
“Thank you. I love when people write “disturbing” in reference to my work. “Beautifully disturbing”? Even better.”
In the newest issue of Specter Magazine, Kameelah Rasheed interviews Rumpus contributor Wendy C. Ortiz! The two talk about her two forthcoming book releases, the courage to write personal stories, and the cross pollination of arts, among other topics....more
Lucy Corin is on a roll. Her book, One Hundred Apocalypses And Other Apcoalypses is making the rounds and with 103 stories it has a long time to go before people are done talking about it. Check out this interview with Lucy from Tin House:
SJ: To go back to that idea of “owning where you’re standing”—what did that look like in writing the collection of apocalypses, which range pretty widely in terms of point-of-view, and voice, and relationship to character?