Posts Tagged: interview
When Tao Lin asked Ben Lerner about his new novel’s epigraph, Lerner touched on the merits of the parable:
I think the parable is a peculiar way of saying that redemption is immanent whether or not it’s imminent, that the world to come is in a sense always already here, if still unavailable.
When the The New York Times asked for his background, Ben Lerner answered the best he could:
“Suburban-white-kid crime, Columbine High School sort of thing,” he said. “A violence of numbness and identitylessness.”
In the Parul Sehgal’s piece, the author of Leaving the Atocha Station also touches on parenthood, Joan of Arc, and his upcoming novel, “10:04”....more
John Freeman knows authors. Last year he published How To Read a Novelist, a collection of 55 author interviews. In this month’s issue of BOMB, Freeman interviewed Rumpus Essays Editor Emeritus Roxane Gay calling her “the best thing that came out of Nebraska since the 1971 Cornhuskers football team.”...more
“What I hope, eventually, is that I can get to a situation where I’m spending most of my work time on the projects I care most about—the stories, the novels, the screen work, the essays—and carve out more time for reading and for doing things that aren’t work.
There is a great interview over at BuzzFeed Books with George Saunders in which he discusses Arthur Miller’s Timebends and what he believes the purpose of art is.
I also found myself really excited by Miller’s basic assumptions about art: It’s important, it is supposed to change us, it’s not supposed to be trivial or merely clever, it’s one human being trying to urgently communicate with another.
Here is probably one of the coolest quotes ever seen in an interview:
“I do think there are tons of straight women involved in radical communities whose family and gender roles are being played with and redefined, but I think that it’s probably a choice for those women to shake off what’s expected of them, while for queers, nothing is expected of us, so we get to make up everything as we go along.
“Thank you. I love when people write “disturbing” in reference to my work. “Beautifully disturbing”? Even better.”
In the newest issue of Specter Magazine, Kameelah Rasheed interviews Rumpus contributor Wendy C. Ortiz! The two talk about her two forthcoming book releases, the courage to write personal stories, and the cross pollination of arts, among other topics....more
Lucy Corin is on a roll. Her book, One Hundred Apocalypses And Other Apcoalypses is making the rounds and with 103 stories it has a long time to go before people are done talking about it. Check out this interview with Lucy from Tin House:
SJ: To go back to that idea of “owning where you’re standing”—what did that look like in writing the collection of apocalypses, which range pretty widely in terms of point-of-view, and voice, and relationship to character?
“All stories are inherently suspect. You know that old, dumb crafty term: Reliable narrator? Show me a truly reliable narrator…Does one exist? Tom Brokaw? We’re all unreliable all the time. And I think storytellers should always go too far. In the story “Spokane” —as you say—Stacy goes too far, and still Barry buys it.
Read Rumpus columnist Rick Moody‘s interview with songwriter-visionary Mark Mulcahy (formerly of the legendary ’80s–’90s college rock band Miracle Legion) about Mulcahy’s latest album “Dear Mark J. Mulcahy, I Love You” over at Salon.
Here Mulcahy discusses the writing and recording process, the album’s thematic darkness—something he attributes to what he describes as “a bleak view of people”—and (unfortunately) the reasons why we shouldn’t expect a new Miracle Legion record anytime soon....more
McSweeney’s recently published How Music Works, a book by David Byrne that explains all aspects of music, from creation, to distribution, to performance.
In recent years, Byrne has released chapters of the book as individual works: this TED talk about architecture’s effect on music; and this piece for Wired about record distribution, in which he interviews Radiohead about their [then] recent “pay what you wish” release of In Rainbows, as well as explains exactly how the money, in a traditional major label record deal, from an album purchase is distributed....more
Barbara Jane Reyes is the author of Diwata (BOA Editions, Ltd., 2010), recently noted as a finalist for the California Book Award. She was born in Manila, Philippines, raised in the San Francisco Bay Area, and is the author of two previous collections of poetry,...more
Today would have been the 112th birthday of Jorge Luis Borges, the esteemed Argentine writer who championed the science fiction genre with his depictions of unreality.
This is an archived Paris Review interview he did back in July of 1966 that tracks his daily routine, notes the idiosyncrasies of his speech and the epic qualities that he admires in West Side Story....more
Australian children’s book illustrator, Shaun Tan speaks through illustration in his interview with Spiegel.
He captures his first impression of Hollywood, the imagined readership of his books, the presence of loneliness that pervades his books—all in pen and paper. It’s surprising how well his illustrations translate into heartfelt answers, all without words....more
In 2009, Traci Brimhall won the Crab Orchard Series First Book Award for her collection Rookery. Rumpus Contributor Evan J. Peterson interviewed Brimhall for this half of what we call a Rumpus Original Combo...more
When Faulkner addressed English classes at the University of Mississippi in 1947, he offered some interesting advice (there is always time for writing, it’s not good to wait when feeling inspired, the peak age for fiction writing is 35-45, etc.). Supplementing his literary guidance was some personal history and sharp opinions (he wrote Sanctuary because he needed money, prefers Florida to Hollywood, women and rich people have optimal conditions for getting reading done)....more