Posts Tagged: irony
Sarcasm on the Internet—you know it when you see it. But how? Without the conversational aids of our best deadpan voices or our fingers as scare quotes, we use all sorts of tricks and mechanics. At The Toast, a linguist points out some of the ways in which we write out sarcasm on the Internet....more
If Franzen is our genius realist, and DFW our genius postmodernist — how might they meld irony and sincerity?
In an excerpt over at Salon from his new book, Keep It Fake: Inventing an Authentic Life, Eric G. Wilson talks irony, realism, postmodernism, David Foster Wallace, and Jonathan Franzen....more
Using W.H. Auden and his predecessor, Rabelais, Nina Martyris discusses in the Los Angeles Review of Books how irony is being implemented to confront the tragedy of Charlie Hebdo:
So how should one respond? Anger and grief are appropriate enough.
Has the US turned into a satire of itself? Consider how quickly Congress has gone from championing Freedom Fries to chastising President Obama’s absence from the Paris peace march. Over at the LA Times, David L. Ulin looks at why Americans are choosing irony over satire:
Is it coincidence, then, that the rise of postmodernism in the 1970s overlaps almost exactly the decline of satire?
Tom Waits is a master of irony. Just when we thought we understood his bone-clattering, tooth-gnashing, growling songs of woe, he hits us with “Another Man’s Vine.” The ballad—off the 2002 record Blood Money—is a heartfelt and affecting piece, infused with sorrow and a peculiarly Waits-esque resigned jealousy....more
At one time, irony served to reveal hypocrisies, but now it simply acknowledges one’s cultural compliance and familiarity with pop trends. The art of irony has lost its vision and its edge. The rebellious posture of the past has been annexed by the very commercialism it sought to defy.
Irony can acknowledge our natural, justifiable feelings of insignificance, or show that we understand our subjectivity. With some humor, if we can manage it! Irony demonstrates that we know we are not the center of the universe, that we can hold opposing ideas in our heads.
Blythe Robertson unpacks David Foster Wallace’s thoughts, and impacts, on American comedy for Splitsider.
Wallace often worried about the overwhelming amount of irony on television – talking heads poking fun at those watching the show while viewers laugh along at themselves, neither party doing much to fix their apparent boredom with the shallowness of the medium....more
Maud Newton’s NY Times essay, “Another Thing to Sort of Pin on David Foster Wallace,” discusses yet another DFW-inspired trend–that is his “slangy approachability.”
He defined a writing style that has permeated through the blogosphere. His ability to combine legal diction with colloquialisms and “slacker lingo,” all to express one highly philosophical argument was indeed a DFW idiosyncrasy—one being reproduced by “a legion of opinion-mongers who not only lack his quick mind but seem not to have mastered the idea that to make an argument, you must, amid all the tap-dancing and hedging, actually lodge an argument.” Newton writes on the evolution of this trend and what has become of irony....more
I have to admit, I feel a little assaulted myself after reading this proposal from Princeton Professors D. Graham Burnett and Jeff Dolven, which was a response to a request from Lockheed Martin for research initiatives. Warning: this isn’t Alanis Morrisette coincidence-mistaken-as-irony....more