Posts Tagged: Joan Didion
If anything, the private spaces of the Monterey Bay Aquarium are even more magical that the public ones. The exact same aesthetic sensibility that pervades the viewing galleries—clean, calm, scientifically sound, technologically advanced—also characterizes the service corridors, which is nice because it appeals to my sense of symmetry.
How exactly did Joan Didion go from writing for conservative weekly the National Review to serving as a leading voice for the left? The New Yorker offers an answer:
What changed was her understanding of where dropouts come from, of why people turn into runaways and acidheads and members of the Symbionese Liberation Army, why parents abandon their children on highway dividers, why Harlem teen-agers go rampaging through Central Park at night, why middle-class boys form “posses” and prey sexually on young girls—and, above all, why the press fixates on these stories.
To go with her contribution, Didion had to provide a few sentences about herself. Excavated from the Mademoiselle archives, what she wrote shows a still somewhat green, aspiring writer with a sentimental attachment to home: “Joan spends vacations river-rafting and small-boating in the picture-postcard atmosphere of the Sacramento Valley.” Among her interests, she lists “almost any book every published.”
Over at The New Republic, Laura Marsh reviews The Last Love Song, in which biographer Tracy Daugherty combs through the archives at Mademoiselle, where a 21-year-old Joan Didion worked as an intern....more
Andrew Bomback steps into the conversation between Eula Biss and Joan Didion about “Goodbye to All That” and the myth of New York City, bringing along Taylor Swift as his guest. In its author’s privilege and its message of youthful possibility, “Swift’s ‘Welcome to New York’ is far more Didion than Biss,” he writes....more
“The challenge of memorializing doesn’t favor professionals,” writes Sean Minogue over at Full Stop. So, how are autobiographical narratives of loss by Karl Ove Knausgaard, Joan Didion, or Paul Auster different from therapeutic journaling? Minogue takes a look at how these authors express the everyday details of living after a loss, and how new forms of written self-expression, like Twitter, shifts the line between personal and public grieving....more