Posts Tagged: Joan Didion

Elderly feature

Translating the Elderly: Amour, The Intern, and Our Many Selves

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The elderly become reminders not of our imminent mortality, but of our ever-evolving humanity, our enduring lust—and need—for connection and purpose. ...more

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The Rumpus Interview with Meghan Daum and Elliott Holt

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Meghan Daum, the anthology's editor, and Elliott Holt, who contributed its penultimate essay, discuss Selfish, Shallow, and Self-Absorbed. ...more

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The Rumpus Interview with Elizabeth Kadetsky

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Elizabeth Kadetsky talks about her new novella On the Island at the Center of the Center of the World, writing about trauma and external forces, and coming to fiction from journalism. ...more

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The Rumpus Interview with Alexander Chee

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Alexander Chee talks about opera, the Wild West, and the charismatic women of 19th-century France that inspired his new novel The Queen of the Night. ...more

Chaitali Sen feature

The Sunday Rumpus Interview: Chaitali Sen

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Swati Khurana talks to the author of The Pathless Sky, a love story centered around place, the state’s authority, statelessness, and geology. ...more

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The Rumpus Interview with Elisa Gabbert

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Author Elisa Gabbert talks about her books, The Self Unstable and The French Exit, diversity, publishing, whiteness, and writing in the Internet Age. ...more

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The Rumpus Interview with Christopher Bollen

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Author Christopher Bollen talks about his sophomore novel, Orient, secrets and privacy, sexual orientation in fiction, and the lost art of the whodunit mystery. ...more

Joan Didion: Conservative to Liberal

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How exactly did Joan Didion go from writing for conservative weekly the National Review to serving as a leading voice for the left? The New Yorker offers an answer:

What changed was her understanding of where dropouts come from, of why people turn into runaways and acidheads and members of the Symbionese Liberation Army, why parents abandon their children on highway dividers, why Harlem teen-agers go rampaging through Central Park at night, why middle-class boys form “posses” and prey sexually on young girls—and, above all, why the press fixates on these stories.

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Book Recs from a River-Rafting Joan Didion

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To go with her contribution, Didion had to provide a few sentences about herself. Excavated from the Mademoiselle archives, what she wrote shows a still somewhat green, aspiring writer with a sentimental attachment to home: “Joan spends vacations river-rafting and small-boating in the picture-postcard atmosphere of the Sacramento Valley.” Among her interests, she lists “almost any book every published.”

Over at The New Republic, Laura Marsh reviews The Last Love Song, in which biographer Tracy Daugherty combs through the archives at Mademoiselle, where a 21-year-old Joan Didion worked as an intern.

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Joan Says Goodbye, Taylor Says Hello

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Andrew Bomback steps into the conversation between Eula Biss and Joan Didion about “Goodbye to All That” and the myth of New York City, bringing along Taylor Swift as his guest. In its author’s privilege and its message of youthful possibility, “Swift’s ‘Welcome to New York’ is far more Didion than Biss,” he writes.

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Live-Tweeting Grief

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“The challenge of memorializing doesn’t favor professionals,” writes Sean Minogue over at Full Stop. So, how are autobiographical narratives of loss by Karl Ove Knausgaard, Joan Didion, or Paul Auster different from therapeutic journaling? Minogue takes a look at how these authors express the everyday details of living after a loss, and how new forms of written self-expression, like Twitter, shifts the line between personal and public grieving.

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The Rumpus Interview with Sarah Tomlinson

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Author Sarah Tomlinson talks about ghostwriting, her father and childhood, the tradition of confessional writing, and her new memoir, Good Girl. ...more

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The Rumpus Interview with George Hodgman

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Editor and author George Hodgman talks about his new memoir, Bettyville, what makes for a good memoir, and returning to his hometown of Paris, Missouri from New York to take care of his aging mother. ...more

This Week in Short Fiction

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The novella-in-flash: What does it mean? How is it even possible? Kathleen Rooney and Abby Beckel, editors at Rose Metal Press, which specializes in hybrid forms, have recently set about defining this lesser-known form. This week, they spoke about My Very End of the Universe, their 2014 anthology of five novellas-in-flash, with Smokelong Quarterly’s Interviews Editor Karen Craigo.

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A Super Bowl Preview for People Who Don’t Know Football (2015 Edition)

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Like an all-night rager in the apartment upstairs or a crying infant on a red-eye, the Super Bowl is one of those ineluctable public occurrences that’s seemingly impossible to stop and difficult to ignore. ...more

Queen Joan

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The act of anointing Joan Didion as our favorite, our best, our everything, is the act that reveals what we’re trying to say: that we’re cool, that we’re educated, that if we are not young and white and slender and well-dressed and disaffected and sad and committed to the art of writing as an arduous and soul-sucking process that must be endured yet Instagrammed simultaneously, then we will be, at least, as close as possible to those identifiers even if it kills us.

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The Rumpus Interview with Steph Cha

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Steph Cha talks about her new novel, Beware Beware, writing compelling and complex Korean American characters, and what reading a book has in common with a level in a video game. ...more