Posts Tagged: Joy Williams
A novel wants to befriend you, a short story almost never.
Over at VICE, Lincoln Michel nabbed the elusive and brilliant Joy Williams for an interview about her newest short story collection, ninety-nine stories of God. Her answers are wonderful in their minimalist nature, and for lovers of lists she even included “8 Essential Attributes of the Short Story (and one way it differs from a novel).”...more
The idea of art-making as a refuge from reality has become a cliché. But a cliché often becomes a cliché through the repeated force of being true.
Jonathan Lee, author of High Dive, writes about the sense of disquiet experienced upon the realization that the book he wrote, has completed, is physically bound, is actually finished, and what Fernando Pessoa and Joy Williams have to say about that lack of comfort....more
A preacher cares for his daughter’s child while she has a nervous breakdown in a foreign land. A teenager watches her mother slowly die. Another teen mourns his father, who that summer had been “executed by the state of Florida.”
After ten long years without a new story collection from Joy Williams, we are finally rewarded this week with The Visiting Privilege, containing thirteen new stories and thirty-three stories collected from across Williams’s career. Williams is a writer’s writer, a storysmith of the highest caliber whose creations are studied and beloved by the greatest in her field....more
“This voice is neither howl, yowl, nor whisper, but something more like a quiet monotone, slightly ironic and yet also depressed, lonely, and compellingly vulnerable.”...more
One of my favorite books is the story-collection Honored Guest (2004) by Joy Williams. I like it to a degree that its “flaws” seem to function “completely” as contributors to its “tone,” which I like, and which therefore creates a situation for me where “there are no ‘flaws,’ only ‘idiosyncrasies’ that contribute to the ‘tone.’” This contrasts with books where I can easily sense what I like and dislike, for example I like the dialogue and social interactions in Less Than Zero (1985) and American Psycho (1991) by Bret Easton Ellis but dislike the violent parts....more