Kate Angus
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Rumpus Exclusive: Cover Reveal for Who’s Your Daddy
An exclusive look at the cover of Arisa White’s forthcoming collection, WHO’S YOUR DADDY.
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Flying Blind: A Conversation with Kate Angus and Joe Pan
Kate Angus of Augury Books and Joe Pan of Brooklyn Arts Press discuss the challenges and triumphs that come with running an indie press, and the recent decision to make Augury an imprint of BAP.
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Loving Poems But Not Poetry Books
Although Americans’ love for poetry has yet to reach the wild heights of Abu Dhabi’s hit reality show Million’s Poet where 70 million global viewers watched dueling versifiers vie for a $1.3 million cash prize, Americans are actively involved in…
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The White One in the Woods
Last summer was a difficult season, the worst I’ve had in years. I bloodied an eye from weeping, capillaries branching like red vines around the hazel nest where my pupil gleams like a black egg.
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The Air in the Cages is Dust
One of the great strengths of this book is Flynn’s refusal to luxuriate in self-importance. Instead, he displays a consistent awareness that the poetry of war is not war itself, but dwells in the incorporeal rather than the actual.
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Shape of a Key, of a Dog, of a Letter
Cassian’s strongest poems–and there are many of them in Continuum–function in this way, where the initially familiar becomes a catalyst for something pleasurably disorienting as she subverts the expectations that she initially led us to have.
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Holding Company
In Holding Company, his third collection of poems, Major Jackson achieves the difficult feat of writing a book that feels simultaneously both intensely personal and yet also archetypally American.