One of the great strengths of this book is Flynn’s refusal to luxuriate in self-importance. Instead, he displays a consistent awareness that the poetry of war is not war itself, but dwells in the incorporeal rather than the actual.
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Cassian’s strongest poems–and there are many of them in Continuum–function in this way, where the initially familiar becomes a catalyst for something pleasurably disorienting as she subverts the expectations that she initially led us to have.
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In Holding Company, his third collection of poems, Major Jackson achieves the difficult feat of writing a book that feels simultaneously both intensely personal and yet also archetypally American.
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