Posts Tagged: Kurt Vonnegut
In April, the Mystery Writers of America named Max Allan Collins a Grand Master, the organization’s peer-voted lifetime achievement award. Collins has had a prolific and often eclectic career. The Iowa Writers Workshop graduate has written more than one hundred books, has had a long career as a comics writer including, most famously, the Road to Perdition saga, has been a screenwriter and director of fiction and documentary films, written audio dramas and nonfiction books....more
At Open Culture, Ayun Halliday introduces Kurt Vonnegut’s final assignment for his Iowa Writer’s Workshop class. Instead of a conventional essay, Vonnegut asks his students to role-play as short story publishers:
Proceed next to the hallucination that you are a minor but useful editor on a good literary magazine not connected with a university.
Donald Ray Pollock has been steadily serving up plates of mild horror since his first book of short stories, Knockemstiff, appeared in 2008. Pollock followed the explosion of Knockemstiff with The Devil All the Time, in 2011, his first novel, which also bordered on the genre of mystery, again with generous servings of darkness....more
The Atlantic explains how Kurt Vonnegut’s lectures about story arcs influenced a group of researches to classify works of fiction based on six “core narratives” in order to find the “emotional trajectory of a story.” The research group hopes the data helps scientists to “train machines” to write original works....more
Despite its uncanny salience in the context of this most recent wave of social injustice and protest, Paul Beatty’s The Sellout was written well before the #BlackLivesMatter movement began. Far from a coincidence, the book’s resonance is a product of the same paradox of time it describes, in which dated social conditions cannot possibly continue to exist, yet do:
All of the characters, regardless of how completely absurd they seem, are reacting to living in a time in which Beatty also resides; one in which he is daring to call something “‘Racism’ in a post-racial world.”
Without his wife Jane’s faith and encouragement in his writing, it’s highly likely we wouldn’t know Kurt Vonnegut’s name from Adam. The New Yorker explores Jane’s influence on her husband throughout his career as an author.
Kurt was more pragmatic, casting about for career ideas—teaching, reporting, opening a library with a bar.
Asked years later why he had chosen to write science fiction in his early days, Kurt replied “There was no avoiding it, since the General Electric Company WAS science fiction.”
Over at Work in Progress, Ginger Strand shows us how to invent Kurt Vonnegut: add equal parts previous failures in the field, a brother who was a scientist, and the ethical dilemmas posed by science’s advance, with a dash of crazy militants....more
It’s hard to escape news about water these days. Drought on the West Coast, hurricane season raging on the East Coast, and NASA found water on Mars. No matter where you are, these books will drench you....more
Placed after a mention of death or dying, Kurt Vonnegut’s “So it goes” refrain throughout Slaughterhouse Five utilizes repetition to explore the inevitability of death.
Over at the Ploughshares blog, E.V. De Cleyre considers how Kurt Vonnegut uses repetition in relation to death in his writing....more
A roundtable of authors choose their favorite Vonnegut work for The Oyster Review. Unsurprisingly, Cat’s Cradle came out ahead with a pretty strong hand....more
After hailing Kurt Vonnegut as the “grandfather” on her “literary family tree,” Kathleen Founds describes the experience of reading his short story, “Welcome to the Monkey House,” at BuzzFeed Books. The experience, she writes, was “akin to opening a box in my literary grandfather’s attic and finding something utterly derailing”:
If Vonnegut could see through myths about war, why couldn’t he transcend myths about sexual violence?
In a little more than two weeks, in a Hospice unit tucked away at the edge of the Atlantic, in Brunswick, North Carolina, a free grief-writing workshop will be held. When Vonnegut urged his students to “write a poem, tear it up,” he stressed the value of art, as such, apart from readership and representation....more
The Believer has just published what is likely writer Peter Matthiessen’s last interview, conducted only a month before his death. Included: Jaws, the sticker that Kurt Vonnegut left on Matthiessen’s car, and why Matthiessen didn’t like to write about New York:
I also very rarely write about cities or urban people—especially urban people of our own region.
In his newly published The Novel: a Biography, Michael Schmidt takes some time to study how the wars of the 20th century shaped the great American novel, citing Norman Mailer, Kurt Vonnegut, and Joseph Heller among those that best dealt with the subject....more