Posts Tagged: Lincoln Michel
The artist statement is not just a representation of what you are working on, but an intervention in what you are working on. If you start saying, I aim to do this and not to do this, maybe it keeps you from thinking of your perfect aim, which is none of those things.
Settling the debate about whether “writer” is job that arose with Merritt Tierce’s Marie Claire essay about going broke post-debut novel, and a response piece by Ester Bloom at The Billfold calling writing a hobby, Lincoln Michel finds a middle ground between the two stances, arguing at Electric Literature that yes, writing should be considered a job—and the attitude that it isn’t encourages exploitation....more
A novel wants to befriend you, a short story almost never.
Over at VICE, Lincoln Michel nabbed the elusive and brilliant Joy Williams for an interview about her newest short story collection, ninety-nine stories of God. Her answers are wonderful in their minimalist nature, and for lovers of lists she even included “8 Essential Attributes of the Short Story (and one way it differs from a novel).”...more
Fairytales can be seen as formulaic, but these formulas provide the bones for modern writers to fill in as they please; adaptations of classic fairytales are still making bestseller lists and hitting the box office every few months, showing how versatile these classic tales can be, as Lincoln Michel points out over at the Guardian....more
Digital media companies are suddenly worried about declining ad revenue, and the venture capitalists funding these companies have also turned off the faucet of cash as they realize that success stories like BuzzFeed and Mashable are not the unicorns everyone thought they were....more
At Electric Literature, Lincoln Michel wonders why readers care so much about Elena Ferrante’s “real” identity, particularly when the anonymous author has made it clear that she believes books “have no need of their authors” after they’ve been penned. Michel writes:
Still, the greater question is why anyone cares?
The MFA is only two to three years out of a writer’s life. Those years don’t outweigh decades of signaling from the publishing industry, major newspapers, and magazines about what type of fiction is popular and publishable.
We’re at that point in the holiday shopping season where if you don’t already have a gift for someone, you either have to deal with the other last-minute shoppers in stores, pay an outrageous shipping rate online and hope the post office/shipping company gets it to you on time… or buy something a little more abstract, like a subscription to something....more
I am not trying to brag, humble or otherwise, but merely establishing that perhaps the only thing I’m actually qualified to talk about in this world is literary magazine publication. Does the world need another submitting guide? Personally, I’ve found that far too many of these columns are long on vague clichés and short on real talk.
Electric Literature’s editor-in-chief Lincoln Michel released his debut collection of stories, Upright Beasts, earlier this year. For the Quivering Pen, Michel explores the challenges first-time authors experience in writing and submitting their work to publishers:
It would be nice here to craft a story of how those first publications inspired me to new heights of creativity, or else imparted an unrealistic idea of success that sent me into the artistic wilderness for years that I came out of with important life lessons to give you now.
Over at Lit Hub, Lincoln Michel offers us a wonderful list of books that prominently feature animals in strange and interesting ways. You won’t find Watership Down or Moby-Dick on this list (too obvious!)....more
How we ended up in those backwoods hills was Iris said we needed to ‘get a little air,’ and Dolan added, ‘country air!’ and that was that. Iris was my lover, and Dolan was her roommate I’d never liked. All of us were alive, at that point.
All-you-can-read subscription services are finding that readers of romance novels are heavy users. The service Scribd is removing some romance titles because voracious sex-fiends are reading too many of the sultry books. Over at Electric Lit, Lincoln Michel explains why heavy users hurt the economics of these services:
Let’s say you are paying creators two bucks an ebook, and most people read two books a month, then you paying four bucks to publishers/authors and keeping 5 bucks yourself.
Readers stop reading a book they enjoy when they put it down and forget to come back. Readers finish books they hate when they are assigned it for book clubs or else they want to hate-read and laugh about [it] with their friends .