memoir
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Divorcing Dad Rock from Gender and Genre: An Interview with Niko Stratis
I’ve developed my own framework for what I want dad rock to be. To me, it is a genre that is about people. I’m trying to approach it with very loose terms to not give away all my secrets, but…
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A Perfect Sketch of a Moment: Janet Malcolm’s Still Pictures
“Memory is not a journalist’s tool. Memory glimmers and hints, but shows nothing sharply or clear.”
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Challenging the Length and Notion of Storytelling: A conversation with Davon Loeb
. . . good writing and good storytelling has to exceed the relatable . . .
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Telling our necessary truths: A Conversation with Janet Rodriguez
Only after this memoir was I able to see the Kafka truth: We are telling our necessary truths. We are the necessary heroes of our own narratives. Somewhere inside all of it, there is a collective truth, one we can…
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How to Write an Honest Memoir: A Conversation with Evette Dionne
I don’t ever do anything from a place of fear—which is an odd place for me to be in because I have anxiety—but I have to [step into places of discomfort] because that’s where growth happens. If you’re comfortable, you’re…
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Apples, Sonnet Crowns, and Other Containers of Trauma: Talking with Jeri Frederickson
Jeri Frederickson discusses her debut collection, YOU ARE NOT LOST.
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Woven Fibers and Broken Threads: Katherine Agyemaa Agard’s of colour
To be imbricated in hundreds of years of colonial violence is to be entangled in colorist logics and stories of loss and belonging that are rarely linear or singular.
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Disclosing Disability and Finding Freedom: Talking with James Tate Hill
James Tate Hill discusses his new memoir, BLIND MAN’S BLUFF.
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Finding Meaning at the Edge of Reality: Talking with Elissa Washuta
Elissa Washuta discusses her new essay collection, WHITE MAGIC.
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Facing Her Truth: A Conversation with Ariel Henley
Ariel Henley discusses her debut memoir, A FACE FOR PICASSO.
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You Can’t Stop Rivers from Running: Talking with Rajiv Mohabir
Rajiv Mohabir discusses ANTIMAN and CUTLISH.
