This is how it started: Falling into the spaces between words, between ideas, between sentences. An infinite elbowing out of time, and time and space between. Gaps upon gaps upon gaps upon gaps. Reaching for the next sentence and then, the next word just… fell.
Posts Tagged: narrative
At Guernica, Elizabeth Karp-Evans interviews John Freeman, the founder of the literary journal Freeman’s, on freelancing, his goals for Freeman’s, and cultivating narratives:
Narratives are individual; after that they become myths because you need to abstract a narrative to make it apply to many at once.
Submission fees irk writers because they often prey on novice writers without the connections to bypass slush piles. Narrative Magazine is one of the worst offenders, with a fee of $23, seven times the typical fee of $3. Narrative justifies the high fee because they fund publication of the magazine—and the editors’ hefty salaries....more
In response to the news that Nintendo and Netflix may be developing a Legend of Zelda TV series, Ted Trautman at the Paris Review blog examines the character development and narrative structure (or lack thereof) of video games and wonders if it’s possible for a video game to tell a good story....more
Salon has published an excerpt from Edward E. Baptist’s new book about the relationship between slavery and the development of capitalism in America. In it, he identifies the ways in which the American master narrative has written slavery out of our nation’s history and denied the system of mass murder and suffering on whose back the land of the free was conceived:
It would have to avoid the old platitudes, such as the easy temptation to tell the story as a collection of topics—here a chapter on slave resistance, there one on women and slavery, and so on.
Personal narratives offer writers an important source of inspiration for their writing. Writers edit out the dull portions of their lives to create a version that is both interesting and representative of a kind of universal experience. Kim Triedman writes at Beyond the Margins:
It is a symbiotic relationship to the core.
From the epic poems of old to postmodernist novels, humans have always told stories.
For the Millions, Annie Abrams looks at how Facebook affects our storytelling, applying narrative/literary insights from folks like J. M. Coetzee and Ralph Waldo Emerson. A preview:
What happens, though, to the identities we take on in moments of freedom from the sort of temporality Facebook advocates — the first two weeks of college; a short affair with someone regrettable while traveling; isolated months spent thinking about a dissertation?
Conflict: a story needs one. It’s advice you hear in every creative-writing class, and a technique you see in every book, movie, and TV show. But what if a plot can move forward and keep the reader’s interest without inter-character discord?...more
One of the hardest parts of developing artificial intelligence, writes Frank Bures for Poets & Writers, is trying to teach computers causality: how and why one thing follows from another.
Humans don’t have to be taught:
We see causality constantly, incessantly, and effortlessly: when we read the news, when we gossip about neighbors, when we watch a movie or read a book….We are constantly cataloguing the story lines around us in an effort to sort out our own.
Narrative is charging $20 to submit to their online magazine. That’s for “unsolicited manuscripts.” In other words, if you’re already famous, they won’t charge you. Because really, Michael Chabon is not paying $20 to submit to a literary magazine. But seriously, there is something wrong here....more