Posts Tagged: Netflix
Director Mark Osborne describes to Vulture how he adapted Antoine de Saint-Exupéry’s The Little Prince into an animated film:
“When you’re reading the book, you’re told over and over again in the text, ‘These drawings aren’t very good,’ and you’re actually being tricked into imagining the reality Saint-Exupéry was trying to depict,” says Osborne.
BBC One and Netflix are joining forces to produce a four-part miniseries of Watership Down. The new series intends to give the female rabbits a more prevalent role:
On the bright side, Aitken did announce the miniseries’ intent to strengthen the roles of the female rabbits, an element of Adams’ original novel that often garners criticism.
Libraries are not “Netflix for books,” Kelly Jensen argues over at BookRiot, but serve as centers of their communities. Corporations like Netflix are driven by profits, while libraries, at least in North America, are free for their users. The real danger is in training people to think of libraries not as essential public services, but as services users pay for:
The biggest issue with equating the library with a Netflix for books is that it sends a false message that libraries are worth little more than $8 or $12 or $20 a month.
Brian McGreevy has had the kind of dizzying career assent you usually only see, well, in the movies. At 28, he’s already been a working screenwriter for years and had two scripts* on Hollywood’s coveted Black List. This month his first novel, Hemlock Grove, was published by FSG and it’s already on it’s way to becoming an original series for Netflix...more
Netflix signs a two-year agreement with Discovery (renewed, expanded, and non-exclusive).
More on that note, Netflix plans to focus on TV Shows, as they comprise of “60 percent of the video streams viewed by Netflix members.”
“Netflix plans to add social-networking features to its video service....more
Netflix, the largest video service in the world, has its own kind of customer loyalty that no other company is close to matching.
It’s not only upsetting to the small neighborhood video stores, but to big companies like Apple, who use historical events to explain Netflix’s dominance (“Time Warner CEO Jeff Bewkes famously likened the relentless march of Netflix to the Albanian army’s trying to ‘take over the world.’”) This has everything to do with the contemporary state of media—aggregators instead of content creators are the real money-makers....more
If you’re like me, you grew up running various scenarios about what you’d do if the world were to end. Would you go nuts and run around in a stadium wearing a woman’s slip like the guy in The Quiet Earth?...more