Posts Tagged: photography

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The Rumpus Interview with Esmé Weijun Wang

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Esmé Weijun Wang discusses her first novel, The Border of Paradise, about a multi-generational new American family, creative expression through writing and photography, and interracial relationships. ...more

Photography and What It Means to Be Anti-Racist

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Photography is often considered “objective”—a technology with the ability to capture people, things and places as they were during one moment in time. The art form has a long history of depicting race powerfully in America, both in disproving difference across racial divides and in evoking emotion and depicting the gravity of tragedy.  

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Sound & Vision #24: Ebru Yildiz

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Brooklyn-based photographer Ebru Yildiz talks with Allyson McCabe about shooting concert photos, moving to New York from Turkey, and discovering the city’s music scene. ...more

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Colorama

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How does one scene impress itself on us, so that we remember it better than we should if we were in it? Or rest, just below the surface, present, but unnoticed? ...more

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The Rumpus Interview with Derek Ridgers

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British photographer Derek Ridgers discusses his fetish for nightclub portraits and what it’s been like to shoot the London underground scene for nearly four decades. ...more

The Shocking Power of Claude Cahun

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Jessa Crispin discusses discovering the darkly fascinating self portraits of gender-bending surrealist photographer Claude Cahun and the mystery in her life, in an excerpt from The Dead Ladies Project:

The Cahun version of Acker had the shaved head, but angled to look frail and sickly, near death, a pre-Holocaust vision of the Auschwitz survivor.

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Wanted/Needed/Loved #5: Sonny Smith’s Skate Zine

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In one way or another we all tell stories to ourselves about who we are. ...more

The Lessons of Mapplethorpe

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It might be ill-advised to reduce an artist’s life and work to a single observation, the magic key that unlocks everything, but in the case of Robert Mapplethorpe there is a pronounced duality—in the themes and subjects depicted in his “icy”, graphically stylized black-and-white photographs; in the dark-angel personae he cultivated; and in the controversies all of these facets wittingly or unwittingly sparked during his short lifetime.

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Wanted/Needed/Loved #4: Chris Frantz’s Pocket Camera

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What I want/need/love most are the tools that allow me to document what I see and experience, at home and in my travels, now and in the future. ...more

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Sound & Vision #17: Spencer Drate & Judith Salavetz

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Spencer Drate and Judith Salavetz on their long collaborative career designing for artists like John Lennon, the Talking Heads, and more. ...more

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The Rumpus Interview with Amy Fusselman

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Amy Fusselman discusses her latest memoir/manifesto/philosophical treatise Savage Park, the rise of a new kind of nonfiction, and what kind of art “discombobulates her and makes her scream.” ...more

Ziggy Stardust Forever

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In celebration of the iconic figure who transcends all generational gaps, photographer Mick Rock spoke with VICE about his time with Bowie when the artist was inventing the revolutionary alter ego that is Ziggy Stardust, and the photos that were born from it.

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The Rumpus Interview with Phoebe Gloeckner

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Artist and author Phoebe Gloeckner talks about her semi-autobiographical novel The Diary of a Teenage Girl, just adapted into a film starring Kristen Wiig and Alexander Skarsgard, and what she's working on now. ...more

A Memoir in Pictures

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If a picture is worth a thousand words, Caroline Calloway’s new memoir is going to be extremely long. The England-based art history student has been writing a memoir through her Instagram account, mashing together photos, captions, conversations, and more. Unlike most Instagram feeds, Calloway does not post in real time.

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People Read Everywhere

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Photographer Lawrence Schwartzwald finds people reading just about everywhere. He’s been going around New York City, snapping pictures of people reading books in unlikely places. Slate caught up with Scwartzwald, who explains his fascination with people and their books:

You just get a visceral reaction, like writing a great story or reading one for that matter, there’s an emotional, psychological component to it that you sense and occasionally you’re able to capture it because sometimes you may have literally one frame to get it off and you either get it or you don’t.

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