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Posts Tagged: photography

Allen Ginsberg, The Photographer

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Ginsberg is not typically remembered for his photography, but from 1950 to 1990 he captured hundreds of photographs documenting his life, family, and friends.

In “The Photography of Allen Ginsberg,” Roslyn Bernstein discusses going to Ginsberg’s poetry readings during her youth, and her experience seeing his photography exhibit almost 50 years later.

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The Rumpus Interview with Jamel Shabazz

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For over thirty-five years, Jamel Shabazz has photographed the pulse of New York urban life. Dating back to the early days of hip-hop and B-boys, to the arrival of crack cocaine and the HIV/AIDs epidemic, and to the global commoditization of street style, Shabazz’s portraits tell the stories of everyday lives

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A Different Breed of Family Portraits

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Check out Slate’s new photo blog Behold and its showcasing photographer, Leon Borensztein, who has a humorous and unsettling portfolio of portraits.

Originally from Poland, Borensztein’s portraits are a sarcastic take on the American Dream, and although the series was shot in the ‘80s, many of the photos embody a certain timelessness.

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Storm-Torn Relics

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“That red convertible we were so proud of looks as though it is about to be struck by a meteor. And every moment — the prom, the dance recital, the snowman’s construction — is painted now with bright yellows and rich reds and burnt oranges, the colors of our storm-tossed autumn.”

Sandy has curated a photography exhibition on New Dorp Beach in Staten Island.

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Impersonation and Self-Portraiture

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On July 14, SF MoMA will be opening a retrospective of the work of photographer Cindy Sherman.

Starting with her series Untitled Film Stills, Sherman’s photographs have consistently challenged the limits, meaning, and power of self-portraiture. In an article for the New York Review of Books, critic Sanford Schwartz characterized Sherman as “an impersonator—which in her case means being a creator of people, and sometimes people-like creatures.”

Alongside the retrospective, Sherman has curated a film series, which continues with The Beaver Trilogy on July 12, at 7:00pm.

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“Not Where They Hoped They’d Be”

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The Atlantic captures photographs of graduates who have been unable to find a job in their fields of study and now find themselves in underpaid service sector jobs.

“From a cook in Athens with a degree in civil engineering to a waiter in Algiers with a masters in corporate finance, these young people have spent years studying hard to compete in the 21st century, only to discover that even the most desirable qualifications mean little in a distressed global economy.”

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“The Faces of Black Men”

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“Somewhere between the inaccurate and distorted media images of the black male super predator and the black male superhero, live the majority of black men.”

The Maynard Institute for Journalism Education has created a Tumblr dedicated to moving past media myths and representing “the everyday lives of black men.” Anyone can submit images with brief descriptions of “the boys, men and male-identified folks in your life.” Check out the blog’s archive.

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Ramblers Bone

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On April 5th, photographers Mikael Kennedy and Sean Sullivan will embark on a month-long road trip through the American West. Their Ramblers Bone project will send them “east into the high deserts of New Mexico before turning north through the Rockies, into the wild lands of Montana, across to the Pacific for the last leg of their journey, bringing them down the California coast where the wilderness meets the water.”

You can follow their travels here.

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On Zoe Strauss and Thinking Big

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At The Nation, Barry Schwabsky writes about photographer Zoe Strauss’ “Ten Years” exhibition. Exploring Strauss’ evolving approach to photographic techniques, portraiture and storytelling, Schwabsky argues that her artistic triumphs come from “thinking big”.

“Strauss’s work was a runaway from birth, and by putting her photographs on billboards she is returning them to the streets from which they sprang… But more than that, Strauss’s images are not only about but for the urban rough-and-tumble.

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Questioning Truth in Photos

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Errol Morris, the truth-seeker/director of the documentary The Thin Blue Line and The Fog of War is once again having us question the facts. His collection of essays, Believing is Seeing (Observations on the Mysteries of Photography) considers our undiscerning trust in photos, though their reliability is as questionable as any story-telling medium.

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The Poet as Pinup

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Wild Women Press just wrapped a photo shoot for a 2012 calendar featuring a new nude poet for every month of the year, with proceeds from sales going to type one diabetes research.

To top it off, all of the pinups are male, which Wild Women Press co-founder Victoria Bennet said sprung from the the inspiration to ‘explore the idea of the male muse, as opposed to the female muse.” Each poet was paired with a female photographer for their shoot, which took place after photographer and subject read a piece written by a female poet for inspiration.

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Floating in Photography

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Bomblog interviews Cole Rise, whose landscape photographs are described as both cinematic and surreal.

The conversation gets at the artist’s process, the importance and difficulty of subtlety, travel and Mount Tamalpais. Rise also speaks to the floating quality of his subjects, and the inspiration he finds in dreams, space, and—above all—in the “question of how we got here, or rather ‘why’ we’re here.”

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