Wayne Harrison discusses his debut novel, The Spark and the Drive, fiction, working as a correctional officer, and Carl Benz’s three-wheeled Motor Car....more
Posts Tagged: Raymond Carver
Pulitzer Prize–winning novelist Richard Ford discusses his new book, Let Me Be Frank With You, how metaphor shapes our world, and why he doesn’t like the idea he has a battery to recharge....more
Birdman boils down to the same essential question of how we spend our days, and how those days add up to our years. How we make our story matter, and whether legacy is the point of existence, in how we measure the worth of our lives....more
For the Guardian, Robert McCrum visits acclaimed novelist Richard Ford on the Irish coast, where the author travels every year to hunt woodcock. The two discuss the trajectory of Ford’s career and his intimate relationship with the late Raymond Carver.
I loved him (Carver) and still miss him every day.
In the beginning the words flowed like honey, like maple syrup, like corn syrup; yes, the metaphors flowed just like that....more
T.C. Boyle, who has now written over twenty books, talks to The Rumpus about his most recent short story collection, four decades of cooking up high-grade literary tales, the importance of performance during readings, and life at the Iowa Writers’ Workshop....more
Think of the year 1984 and your mind can’t help but jump to great books, thanks to George Orwell’s dystopic classic. But what about 1983?
To put some sparkle back in 1983′s literary eye, the AV Club rounded up ten of the year’s excellent but underappreciated books....more
A cop without a beat. Not so unlike a writer without a story. He could only fantasize how he’d realize his deepest desire: to fire those weapons in a glorious blaze of noise and carnage....more
The brief unresolved narratives of Adam Ross’s new short story collection, Ladies and Gentlemen, show regular people with compelling problems....more
The book blogs had a great week — here’s some of what they have to say:
This is very cool. Check out The Underground Library, a community in which “books are given out to Members of the Library, who are asked to SIGN their name by the Due Date and PASS the book to someone who they think will like it..” (via)...more
It’s Raymond Carver night at the Rumpus! Moments after I wrote and scheduled the preceding post, I saw this tweet from the Library of America:
“WSJ on Raymond Carver: ‘There must be few story collections whose notes offer more melodrama than the main text.’ ”
Then they offered a link to the Wall Street Journal review of the collection, which bears the unfortunate-on-several-levels subhed: A reputation shaped by an editor’s hand, but a legacy formed by a writer’s maturation....more
“What We Talk About When We Talk About Love is stunningly desolate, a group of stories so laconic they almost perfectly reflect the resignation of characters struggling with alcoholism, infidelity and the desperation of diminished dreams…
“Despite the book’s success, Carver was unhappy at how he was labeled; “There’s something about ‘minimalist,’ ” he grumbled in 1983, “that smacks of smallness of vision and execution that I don’t like.” Two years ago, his widow Tess Gallagher announced plans to release the stories as her husband had conceived them, in a collection called Beginners…
“[It's] published for the first time in Collected Stories, and although it comes at the end, it can’t help but function as a centerpiece… it skews the way the collection showcases Carver’s career....more
Anyone who has ever been in a creative writing workshop knows the type of shame ordinarily suffered only by lifestyle submissives. And in the new Bookforum, Mark Grief, while reviewing Mark McGurl’s The Program Era, plays with McGurl’s idea that the shame inherent in academia has in fact helped define an entire era of literature....more