Posts Tagged: Raymond Carver
For The Millions, Lauren Alwan provides “a brief history” and analysis of colloquial titles, including works from authors like Ernest Hemingway, Flannery O’Connor, Lorrie Moore, and Raymond Carver. In addition, Alwan offers her insights as to what makes colloquial titles so appealing:
There is a certain power in hearing phrases we know and may have used ourselves.
For the Guardian, Robert McCrum visits acclaimed novelist Richard Ford on the Irish coast, where the author travels every year to hunt woodcock. The two discuss the trajectory of Ford’s career and his intimate relationship with the late Raymond Carver.
I loved him (Carver) and still miss him every day.
Think of the year 1984 and your mind can’t help but jump to great books, thanks to George Orwell’s dystopic classic. But what about 1983?
To put some sparkle back in 1983’s literary eye, the AV Club rounded up ten of the year’s excellent but underappreciated books....more
The brief unresolved narratives of Adam Ross’s new short story collection, Ladies and Gentlemen, show regular people with compelling problems....more
The book blogs had a great week — here’s some of what they have to say:
This is very cool. Check out The Underground Library, a community in which “books are given out to Members of the Library, who are asked to SIGN their name by the Due Date and PASS the book to someone who they think will like it..” (via)...more
It’s Raymond Carver night at the Rumpus! Moments after I wrote and scheduled the preceding post, I saw this tweet from the Library of America:
“WSJ on Raymond Carver: ‘There must be few story collections whose notes offer more melodrama than the main text.’ ”
Then they offered a link to the Wall Street Journal review of the collection, which bears the unfortunate-on-several-levels subhed: A reputation shaped by an editor’s hand, but a legacy formed by a writer’s maturation....more
“What We Talk About When We Talk About Love is stunningly desolate, a group of stories so laconic they almost perfectly reflect the resignation of characters struggling with alcoholism, infidelity and the desperation of diminished dreams…
“Despite the book’s success, Carver was unhappy at how he was labeled; “There’s something about ‘minimalist,’ ” he grumbled in 1983, “that smacks of smallness of vision and execution that I don’t like.” Two years ago, his widow Tess Gallagher announced plans to release the stories as her husband had conceived them, in a collection called Beginners…
“[It’s] published for the first time in Collected Stories, and although it comes at the end, it can’t help but function as a centerpiece… it skews the way the collection showcases Carver’s career....more
Anyone who has ever been in a creative writing workshop knows the type of shame ordinarily suffered only by lifestyle submissives. And in the new Bookforum, Mark Grief, while reviewing Mark McGurl’s The Program Era, plays with McGurl’s idea that the shame inherent in academia has in fact helped define an entire era of literature....more