Posts Tagged: Raymond Carver

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The Rumpus Interview with Wayne Harrison

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Wayne Harrison discusses his debut novel, The Spark and the Drive, fiction, working as a correctional officer, and Carl Benz’s three-wheeled Motor Car.

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The Rumpus Interview with Richard Ford

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Pulitzer Prize–winning novelist Richard Ford discusses his new book, Let Me Be Frank With You, how metaphor shapes our world, and why he doesn’t like the idea he has a battery to recharge.

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The Rumpus Sunday Book Blog Roundup

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The book blogs had a great week — here’s some of what they have to say:

This is very cool. Check out The Underground Library, a community in which “books are given out to Members of the Library, who are asked to SIGN their name by the Due Date and PASS the book to someone who they think will like it..” (via)

Hemingway, Churchill fail computerized essay grading system.

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Raymond Carver: Vicarious Slumming for the WSJ

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It’s Raymond Carver night at the Rumpus! Moments after I wrote and scheduled the preceding post, I saw this tweet from the Library of America:

“WSJ on Raymond Carver: ‘There must be few story collections whose notes offer more melodrama than the main text.’ ”

Then they offered a link to the Wall Street Journal review of the collection, which bears the unfortunate-on-several-levels subhed: A reputation shaped by an editor’s hand, but a legacy formed by a writer’s maturation.

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David Ulin on the LOA’s Raymond Carver

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What We Talk About When We Talk About Love is stunningly desolate, a group of stories so laconic they almost perfectly reflect the resignation of characters struggling with alcoholism, infidelity and the desperation of diminished dreams…

“Despite the book’s success, Carver was unhappy at how he was labeled; “There’s something about ‘minimalist,’ ” he grumbled in 1983, “that smacks of smallness of vision and execution that I don’t like.” Two years ago, his widow Tess Gallagher announced plans to release the stories as her husband had conceived them, in a collection called Beginners

“[It's] published for the first time in Collected Stories, and although it comes at the end, it can’t help but function as a centerpiece… it skews the way the collection showcases Carver’s career.

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