The Rumpus Books Sunday Supplement
It was one of those awesome weeks at The Rumpus where when I went to write this roundup, it took me two hours to finish because I couldn’t stop with the reading everything.
It was one of those awesome weeks at The Rumpus where when I went to write this roundup, it took me two hours to finish because I couldn’t stop with the reading everything.
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It’s time to catch up with what Rumpus Books published this week.
Hey, if you haven’t had the chance to take a look at all the stuff Rumpus Books has been up to lately, you should probably do that now.
Cradle Song is more than poetry. Stacey Lynn Brown has written a cultural history of the south, of its tenuous and tendentious relationships, of the complicated and often disturbing power struggles between women and men, black and white.
Many of the strongest poems in this poetical homage politicize Sylvia [Plath], showing her to be less a victim than a citizen of her time, whom history can misrepresent but not silence.
Taste of Cherry is a beautiful, carefully crafted, and sensual display of poetry; the verbal, pyrotechnical, unabashed bravery of the poems is their most significant quality.
To bring in the New Year, we had one helluva week at Rumpus Books. Steve Almond confronted “Katie Roiphe’s Big Cock Block,” Joshua Mohr asked why we write reviews in the first place, and Dubravka Ugresic talked about myths and the former Yugoslavia.
Tom Healy’s first collection of poems, What the Right Hand Knows, is fashioned entirely of artful silence and alluring reticence.
Marie Arana, the longtime editor of The Washington Post’s Book World is stepping down tomorrow. “For 15 years I have had the privilege and honor