This is where poetry approaches music. Because you cannot put meaning in words as intellectually comprehensible. It’s just there, and you know it’s there. And it is the rhythm and the beat and the music of the sound that carries it.
Posts Tagged: science fiction
For Electric Literature, Anya Groner discusses the role of space tourism in modern science fiction, and explores how the focus of space exploration narratives have shifted from the technological aspects of interplanetary life to the anxieties and psychological challenges faced by space travelers:
Practical questions give way to unsettling existentialism and thrilling narrative possibilities.
We may have the necessities of life, but that’s never been enough for us as a species. We are forever pushing at the boundaries, never quite convinced that we’ve got what we need to live as we want… But I do want to know what we’ll do when we get what it is we think we want, and what the ripple effects will be, and what we’ll decide to want next.
Tired of being met with condescension when she says she likes science fiction, Justina Ireland argues for science fiction’s importance in understanding very real contemporary issues faced by marginalized groups:
By refusing to absorb those ideas, by considering them unrealistic, readers are refusing to even contemplate the reality of others.
This week, we have two stories of time machines and space stations, but mostly of people who clean up messes. Amber Sparks’s second collection of short stories, The Unfinished World, published on Monday by Liveright, is a vivid and imaginative blend of sci-fi and fantasy, magical realism and surrealism....more
Edison floods the world with light; biologists discover germs and defy Death; botanists grow tropical plants in Parisian glass-houses and affront Nature with hot-house orchids; the phonograph and the cinema fold Time and Space for the masses. And for some reason bicycles become rather popular.
Sixty years ago, in 1955, Ray Bradbury published The October Country. The book has become a classic of American gothic horror, but it didn’t start out that way.
Many of the stories were originally featured in Bradbury’s first-ever book, Dark Carnival, which had a very limited release and went out of print soon after....more
Creepy robots were often at the heart of Philip K. Dick stories. The future is now: a company is building a realistic looking robot to haunt your dreams and it looks strikingly similar to the science fiction author. Electric Literature reports on the project from Hanson Robotics:
On their website, Hanson Robotics highlights their desire to “realize the dream of friendly machines who truly live and love, and co-invent the future of life.” Philip K.
The stories we tell ourselves can help us understand, and maybe even adapt, to this new world. But the dour dystopias and escapist fantasies of our current science fiction diet just won’t do. We need something new: a form of science fiction that tackles the radical changes of our pressing and strange reality.
The Hugo Award is one of the highest honors bestowed upon science fiction, a genre which is (finally) broadening to include a diversity of authors and views. That’s not a good thing, according to many white male writers and fans, who have banded together as the “Sad Puppies” to fight against what they see as affirmative action for women and writers of color who are dominating the nominations for the Hugos....more
Take that, Mom and Dad. Turns out studying literature can be practical. The Atlantic looks at the evolution of climate fiction, a new genre that’s getting readers interested in environmental issues and inspiring students to study STEM subjects:
In this respect, cli-fi is a truly modern literary phenomenon: born as a meme and raised into a distinct genre by the power of social media.
We can toss around “sci-fi,” “fantasy,” “magical realism,” “surrealism,” and a dozen other genres in our struggle to categorize literature, but the term “weird fiction” is an interesting category that attempts to encapsulate a unifying element. Over at Lit Hub, Tobias Caroll makes the case for “weird fiction” and covers several examples of its wide breadth....more