In the latest installment of “The Blunt Instrument” over at Electric Literature, Elisa Gabbert tackles the delicate question of bias in literary journals. Her answer? Take thoughtful reflections and make careful adjustments....more
Posts Tagged: The Blunt Instrument
Beyond the obvious fact of when it was written or published, what does it mean for literature to be contemporary? Is a work’s relevance determined by market trends and cultural currents? In her monthly advice column for Electric Literature, Elisa Gabbert allays a writer’s temporally induced anxieties:
Magical realism “has been done,” yes, but so has everything else.
I know of no level of success where writers stop getting rejected (and stop at least occasionally feeling bummed about it). People generally make more noise about publications than rejections, the same way people mostly share pictures of happy moments on Facebook, making their sad moments invisible.