How Not to Be Boring

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Tim O’Brien has a really brilliant article in The Atlantic in which he argues that the biggest problem with “unsuccessful stories” is, to put it quite simply, that “they are boring.” I couldn’t agree more.

O’Brien worries about the focus in writing workshops on believability and “verisimilitude.” For him, believability isn’t usually the problem.  “The failure,” he says, “almost always, is one of imagination.”

Here’s a few of his ideas on what authors should strive for, some of which seem obvious, but all of which hearken back to some long lost idea of “storytelling” that focuses on keeping people’s attention and doing something with it:

“(I)nformational detail must function actively within the dynamic of a story.”

“(A) well-imagined story is organized around extraordinary human behaviors and unexpected and startling events, which help illuminate the commonplace and the ordinary.”

“Inventing a nifty, extraordinary set of behaviors for our characters is not enough.

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