Posts Tagged: twitter

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The Rumpus Interview with Aliza Licht

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Aliza Licht, former SVP of Communications for Donna Karan International, talks about her debut career guide, what she wishes she knew when she was starting out, and how to build an audience on Twitter. ...more

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The Rumpus Interview with Alice Dreger

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Alice Dreger discusses her latest book, Galileo’s Middle Finger, the relationship between science and social justice, and the state of modern academia. ...more

Lydia Davis: A Prolific Tweeter

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For The Millions, Adam Boffa compares Lydia Davis’s short stories to social media. He argues that Davis’s compressed language, as well as her emphasis on routine and tragedy, works to “recreate a phenomenon that occurs daily on social media”:

Davis’s work, and maybe social media at its best, becomes a sort of celebration of the ordinary, the boring, the totally expected, the regular.

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What Not to Say Around Writers

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Writers have heard it all from readers, non-readers, strangers who question if books are still relevant, acquaintances who sigh about how nice it must be to stay home all day and write. Several popular authors have taken to Twitter to air their grievances with the hashtag #TenThingsNotToSayToAWriter, and Time has the story, along with some of the best highlights.

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Seeing (and Gazing On) Black Twitter

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In the existing ways that our fashion, speech and music are ripped from our bodies and plastered as spectacle, this otherwise radical platform becomes a tool of injustice and control. This is the shortcoming of inviting the white gaze. While many see visibility as a step toward progress, when we open our cultural products to folks with no access, their cultural power is cheapened.

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The Man Behind the Ivory Curtain

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At The Chronicle of Higher Education, the writer behind @AcademicsSay (better known as “Shit Academics Say”) reveals himself as Nathan Hall, an associate professor at McGill University. In addition to his reveal, Hall discusses how the popular Twitter account allowed him to connect with a much wider community of academics and create wide-ranging participation studies on the psychological stresses and challenges academics face in this professional climate.

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The Rumpus Interview with Andrew Ervin

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Andrew Ervin discusses his debut novel, Burning Down George Orwell’s House, social media and writing, and how video games can serve as a way to understand the post-human world. ...more

Live-Tweeting Grief

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“The challenge of memorializing doesn’t favor professionals,” writes Sean Minogue over at Full Stop. So, how are autobiographical narratives of loss by Karl Ove Knausgaard, Joan Didion, or Paul Auster different from therapeutic journaling? Minogue takes a look at how these authors express the everyday details of living after a loss, and how new forms of written self-expression, like Twitter, shifts the line between personal and public grieving.

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The Great American Tweeter

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Reading Literary Twitter is to witness brief, terse glimpses into the writerly psyche, and how insecure and unsure and thin-skinned we tend to be. As writers, we want to be validated. We want to matter. The published stories and poems and essays, the books we sell, the magazines we edit: all this output, this paper expelled out to the world, the screens we invade with our narratives, it all matters to us.

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The Saturday Rumpus Essay: Crushed

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He’s a cute mensch, I gathered, a cuddly fellow with a well- groomed beard, sad eyes, and, most importantly, a comforting voice that sounded like he was about to either cry or laugh. ...more

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The Rumpus Interview with Ben Fama

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Ben Fama talks about his first full-length poetry collection, Fantasy, the New Narrative movement, and the worst thing that could happen at the Chateau Marmont. ...more

Girl Not in Your MFA

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That Guy in Your MFA is neither a guy nor a student in an MFA program. He’s actually a woman, Dana Schwartz, a Brown University undergraduate. Schwartz also runs the twitter Dystopian YA Novel that satirizes series like Divergent. She tells Chicago Reader that she invented the alter egos because her writing workshops had too many stories about guys on trains:

“They all had trains,” she says, “and a man leaving his family because he is too complicated and deep.

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The Saturday Rumpus Essay: The (Online) Stories We Tell

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Sometimes you want to dream about the life you didn’t get to have. Sometimes you want to see the life you were lucky to escape. ...more

Tooting Your Own Horn

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Should writers retweet their own praise? Insofar as Twitter is a platform for self-promotion, sharing positive reviews seems logical—but when a publishing medium does double duty as a sphere of social interaction, this logic gets complicated:

Twitter, as a public platform, is intrinsically performative (to pretend otherwise is disingenuous), yet the performative nature of it is undercut and often ameliorated in ways that make Twitter tolerable and even enjoyable, by some level of honesty…In that way, Twitter and its ethics are not so different from, and no more thornier than, actual life.

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