Posts Tagged: twitter
Voice is not a commodity but the slow accretion of individual perspective. This is a writer’s most valuable asset… Social media isn’t a distraction from the seriousness of what he’s published. It’s an affirmation of his argument’s importance.
Authors today face a unique situation: the presence of social media fueling society’s profound hunger for transparency and reachability in public figures....more
Over at Vela Magazine, Sarah Menkedick discusses her complicated relationship with the endless distraction and instant gratification of the Internet as a writer:
My default instinct is to skew towards the more challenging option, which demands greater discipline and less immediate reward, and so I continue to aim for the longform essay over the viral blog.
Helen McClory, author of On the Edges of Vision, took to Twitter yesterday to challenge male book reviewers, writers, and readers to talk about contemporary women authors. The viral tweet elicited plenty of responses from male writers looking to demonstrate how in touch they are with contemporary female authors....more
If you’re going to spend so much time on social media, you might as well make art out of it. The Atlantic‘s Olivia Goldhill looks at the inevitable rise of maybe-joke, maybe-for-real Twitter fiction....more
The sound of “pobreza” (poverty) and “filia” (-phile) pushed together could almost sound poetic, if the word didn’t mean having a sexual affinity for poor, young women.
For The Millions, Adam Boffa compares Lydia Davis’s short stories to social media. He argues that Davis’s compressed language, as well as her emphasis on routine and tragedy, works to “recreate a phenomenon that occurs daily on social media”:
Davis’s work, and maybe social media at its best, becomes a sort of celebration of the ordinary, the boring, the totally expected, the regular.
Writers have heard it all from readers, non-readers, strangers who question if books are still relevant, acquaintances who sigh about how nice it must be to stay home all day and write. Several popular authors have taken to Twitter to air their grievances with the hashtag #TenThingsNotToSayToAWriter, and Time has the story, along with some of the best highlights....more
In the existing ways that our fashion, speech and music are ripped from our bodies and plastered as spectacle, this otherwise radical platform becomes a tool of injustice and control. This is the shortcoming of inviting the white gaze. While many see visibility as a step toward progress, when we open our cultural products to folks with no access, their cultural power is cheapened.
At The Chronicle of Higher Education, the writer behind @AcademicsSay (better known as “Shit Academics Say”) reveals himself as Nathan Hall, an associate professor at McGill University. In addition to his reveal, Hall discusses how the popular Twitter account allowed him to connect with a much wider community of academics and create wide-ranging participation studies on the psychological stresses and challenges academics face in this professional climate....more
I have heard writers take a stand that they are above Twitter and Instagram, superior for not participating in social media. It’s true the self-promotion feels inauthentic and tacky, but it can be brave to participate in the conversation with good intention.
“The challenge of memorializing doesn’t favor professionals,” writes Sean Minogue over at Full Stop. So, how are autobiographical narratives of loss by Karl Ove Knausgaard, Joan Didion, or Paul Auster different from therapeutic journaling? Minogue takes a look at how these authors express the everyday details of living after a loss, and how new forms of written self-expression, like Twitter, shifts the line between personal and public grieving....more
Johnetta Elzie and DeRay McKesson, the authors of America’s first full scale 21st century civil rights movement, get the full profile treatment at the New York Times Magazine....more
Reading Literary Twitter is to witness brief, terse glimpses into the writerly psyche, and how insecure and unsure and thin-skinned we tend to be. As writers, we want to be validated. We want to matter. The published stories and poems and essays, the books we sell, the magazines we edit: all this output, this paper expelled out to the world, the screens we invade with our narratives, it all matters to us.