Posts Tagged: twitter

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The Rumpus Interview with Ben Fama

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Ben Fama talks about his first full-length poetry collection, Fantasy, the New Narrative movement, and the worst thing that could happen at the Chateau Marmont. ...more

Girl Not in Your MFA

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That Guy in Your MFA is neither a guy nor a student in an MFA program. He’s actually a woman, Dana Schwartz, a Brown University undergraduate. Schwartz also runs the twitter Dystopian YA Novel that satirizes series like Divergent. She tells Chicago Reader that she invented the alter egos because her writing workshops had too many stories about guys on trains:

“They all had trains,” she says, “and a man leaving his family because he is too complicated and deep.

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The Saturday Rumpus Essay: The (Online) Stories We Tell

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Sometimes you want to dream about the life you didn’t get to have. Sometimes you want to see the life you were lucky to escape. ...more

Tooting Your Own Horn

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Should writers retweet their own praise? Insofar as Twitter is a platform for self-promotion, sharing positive reviews seems logical—but when a publishing medium does double duty as a sphere of social interaction, this logic gets complicated:

Twitter, as a public platform, is intrinsically performative (to pretend otherwise is disingenuous), yet the performative nature of it is undercut and often ameliorated in ways that make Twitter tolerable and even enjoyable, by some level of honesty…In that way, Twitter and its ethics are not so different from, and no more thornier than, actual life.

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This Week in Short Fiction

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This week, last week, men who have taken lives are walking away unpunished, unquestioned even. We have their victims’ names: Mike Brown. Eric Garner. We have their final words: Hands up, don’t shoot. (Six shots fired.) I can’t breathe.

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The Rumpus Interview with Richard Ford

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Pulitzer Prize–winning novelist Richard Ford discusses his new book, Let Me Be Frank With You, how metaphor shapes our world, and why he doesn't like the idea he has a battery to recharge. ...more

Joy to the World

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Over at New York magazine, Adam Sternbergh’s written an intricate, affecting, and (honest to god) shocking elegy in awe of the emoji. If he comes to a single conclusion, it’s that every single one of them is here to stay:

Over 470 million Joy emoji are being sent back and forth on Twitter right now—which makes the Joy emoji the No. 1 most popular emoji on Twitter (it tends to compete for the top spot with the Heart).

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Distractions and the Art of Creation

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Alexandra Wuest, writing at HTMLGIANT, looks at the distinction between procrastination and the useful distraction that is a necessary part of the creative act:

Somewhere between the initial conception of an idea and the completion of the project exists a murky abyss of abstraction in which the horizon line is hidden–or may not even exist.

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Thinking About Tweeting About Working on My Novel

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Artist Cory Arcangel recently curated a collection of tweets containing the phrase “working on my novel” to produce a book of the same name. The New Yorker’s Mark O’Connell wonders whywhy he did it, why they tweeted it, and why it matters to us:

…it’s hard to imagine a book providing a more solid pretext for discussions of social media and creativity, or the death of the novel, or any number of other means by which the think-piecing superego might impose itself on the culture.

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What Twitter Could Mean for Fiction

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Following the publication of David Mitchell’s short story “The Right Sort” on Twitter last week, Ian Crouch considers the possibilities and limitations of the medium for fiction. He admires some of Mitchell’s tweets, wonders if the story isn’t actually better read all at once, and suggests “The Great American Twitter Novel” could potentially exist:

I like to think that there is another kind of fiction to be written, the truest expression of the form, which embraces the quotidian nature of Twitter and its movements in real time.

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This Week in Short Fiction

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On Monday, Cloud Atlas author David Mitchell began tweeting a short story called “The Right Sort” in multiple daily installments, compiled by Sceptre Books, readable from the top down. Set to conclude today, the story takes the Valium-filtered perspective of a young teen in 1970s England.

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