If there is no distinction between show and commercial, ethics and entertainment, what kind of distinctions, if any, exists between her imaginary play, her consumer life, and our reality?
Isn’t the crowd itself a kind of anti-literature, an intensely physical impediment to the inwardness required of poetry and prose? At Lit Hub, Dustin Illingworth writes about literature that theorizes “the…
The Rumpus Book Club chats with Steve Stern about his new novel The Pinch, about what it means for Jews to be "people of the book," and how fiction and history can be entwined in entertaining and challenging ways.
The tragedy of a mentally ill mind or a richly realized fantasy is that its world exists only for its inventor. It is the loneliest party, the most isolating game.