On this warm weekend we are favored with a cool breath of fresh air from the likes of Matthew Lippman, via Michael Klein’s review of Lippman’s poetry collection, American Chew.…
I was doing clerical work for a magazine publisher in a high-rise along the Wilshire corridor and each day I would take my one hour lunch on a small bench between two 25 story buildings. The proximity of all these tall structures created a vortex of wind that constantly combed through all these magnificent trees. One by one I had to know and then write about each individual Jacaranda, Magnolia and Floss Silk tree.
Here I am, seven years later, a “full-time writer.” I spend about half my time locked up in my apartment in the West End of Providence, Rhode Island, hunched over my laptop.
There’s a window, but no tree. Just the next building, identical blinds. I’ve done a fair amount of writing here, I guess. Assembled at least one book. But again, I can’t picture it, can’t imagine being comfortable in this space. When I write at home, I know I don’t have long. Something will intrude or distract.
That’s what I want to do as I write: break through the varnish my mom helped me shellack over my truth, the stains we both used to deny our imperfections, hide our dark places.
I’m writing on the bathroom floor, laptop on my knees. It’s tight in here; shower, toilet, and sink crammed together with just enough space left to stand, or in my…