From Adbusters: “As they endure the nightly mundanity of the convenience store or the daytime lobotomy of waving red sticks at traffic jams, the freeter part-timers know that Kanikosen is a novel aimed at them. But the full-time, white-collar “salarymen” think it is all theirs, too: the novel describes cruelty, exploitation and imprisonment, all of which echoes the sense of padded slavery felt so keenly in Japan’s white-collar ranks. And women, whose relationship with the Japanese workplace has been a long, largely unrewarded struggle for equality and respect, empathize deeply with the below-decks repression of the crab-canning ship. Still, it is undoubtedly among the young, Asao’s “lost generation,” now aged between 20 and 35, that the connections are the sharpest.” …Read more
1929 All Over Again, In Japanese Literature
Julie Greicius
Julie Greicius was Art Editor for The Rumpus when it launched in January 2009. One year later, she became Senior Literary Editor, and later, Senior Features Editor. Julie also co-edited the first book published by The Rumpus, Rumpus Women, Vol. 1, featuring personal essays and illustration from twenty kick-ass contributors. Her writing been featured on The Rumpus, Midnight Breakfast, Stanford Medicine Magazine, and BuzzFeed, as well as in the anthology The 27th Mile. She lives in California and is a member of The Rumpus Advisory Board.