Let the Right One In (the movie) (Tomas Alfredson, 2008)
Somehow makes vampires feel fresh. Fascinating aesthetic: colorless cinematography, minimal dialogue, affectless acting. Touching, scary, tender. An astonishing little girl. Also? Swedes are freaky-looking.
Let the Right One In (the novel) (2004)
Same amazing characters and great story as the movie, but super-detailed and rich where the film was stark and bare. Lovely observations. Sweet; horrifying.
Unmistaken Child (Nati Baratz, 2009)
Moving in ways I can’t even explain. Landscape, story, main character all astonishing, beautiful, elemental. Cinematic artistry all the more powerful for being so subtle.
X-Men Origins: Wolverine (Gavin Hood, 2009)
I can do this one in three: weird and stupid. Also? They cut the hot gay trailer sex scene where Liev Schreiber tops Dominic Monaghan.
Away We Go (Sam Mendes, 2009)
Oddly moving and sweet. They’re wonderful, with a “conflict” rarely explored in movies. Shitty Grey’s-Anatomy-reject songs ruin lots of lovely moments.
Seconds (John Frankenheimer, 1966)
Like an extra-dark Twilight Zone episode with the energy and verve of the French New Wave. Rock Hudson is terrifying in the last scene.
Changeling (Clint Eastwood, 2008)
This horrible horrible movie’s plot: Angelina Jolie weeping/pleading/cowering/being tortured. Unwatchable. Offensive. Solely for those who get off on watching women suffer.
Doubt (John Patrick Shanley, 2008)
Liked it better when I first saw it, when it was called The Children’s Hour. Ultimately pretty fabulous. Lovely light. Streep’s astonishing. I’m over Hoffman.
Goya’s Ghosts (Milos Forman, 2006)
Milos Forman must have advanced Alzheimer’s, and everyone associated with the film was too polite to say how dumb and wretched it was.
The Strangers (Bryan Bertino, 2008)
Fresh characters; some great scares smartly done. But it’s all about the payoff in a flick like this, and the end felt easy and unimaginative.
Waterworld (Kevin Reynolds, 1995)
Not sure why this movie gets such a bad rap. Fun, with engaging characters and a pretty good story. Its hokiness is kinda fab.
Dances with Wolves (Kevin Costner, 1990)
Four hour movies should be illegal. Mary McDonnell is my messiah now. Lovely scenery; solid music, competent-if-unremarkable directing. Also? White people are evil.
Teeth (Mitchell Lichtenstein, 2007)
Mediocre as a horror movie; brilliant as a satire of fundamentalist virginity obsession. Several shirtless boys, none of them very hot. Fun, smart, ridiculous.
