“(T)he only real people left who write short stories now are people who write literary short stories, if you will. And they are a little more demanding than the average novel; they don’t tend to have neat tied-up endings, which most people tend to gravitate toward. And I think a lot of people, even the ones with those famously shortened attention spans, kind of like the idea of entering a world and staying in it for a week or so, and not having to get used to a new set of characters every time they finish 15 pages.”
Tobias Wolff On Short Stories
Seth Fischer
Seth Fischer’s writing has twice been listed as notable in The Best American Essays and has been nominated for The Pushcart Prize by several publications, including Guernica. He was the founding Sunday editor at The Rumpus and is the current nonfiction editor at The Nervous Breakdown. He is a Dornsife PhD Fellow at USC and been awarded fellowships and residencies by Ucross, Lambda Literary, Jentel, Ragdale, and elsewhere, and he teaches at the UCLA-Extension Writer’s Program and Antioch University, where he received his MFA.