I think I’d like to make my second home inside one of the dreamy, grainy Polaroids shot by Mikael Kennedy.
In his photos—a drifter’s gallery of people, places, moments—all light seems like radiance. The washed-out Polaroid colors give each image a feeling of impermanence, a memory fading. That bittersweet quality, along with the simple authenticity of his subjects and settings, unifies the collection. “Shoot the Moon,” represented by the Peter Hay Halpert gallery in Chelsea, includes 500 photos from Kennedy’s ten years of wandering [click the link to view them].
You can read the story behind the collection here, and also check out the Rumpus’ one-question interview with him.