“For me, if there’s a piece of writing that I care about, I want to have the physical object,” says Brigid Hughes, editor of the literary journal A Public Space. “There’s a permanence to it, a different kind of permanence than if you find it on a website. You’re bringing together these different voices and pieces, and the way those pieces interact between those two covers is essential.”
Jacket Copy today ponders the future of printed literary journals.
