Praying in Haeckel’s Garden

Recent works by artist Mary O’Malley:

01 Mary O'Malley, Haeckel's Garden, 2008
(c) Mary O’Malley, Haeckel’s Garden, ink on paper, 32″ x 40″, 2008

02 Mary O'Malley, Altar 1, 2010
(c) Mary O’Malley, Altar 1, ink on paper, 19″ x 25.5″, 2010

03 Mary O'Malley, Altar 2, 2010
(c) Mary O’Malley, Altar 2, ink on paper, 19″ x 25.5″, 2010

04 Mary O'Malley, Altar 2, 2010 (detail)
(c) Mary O’Malley, Altar 2, 2010 (detail)

05 Mary O'Malley, Altar 3, 2010
(c) Mary O’Malley, Altar 3, ink on paper, 19″ x 25.5″2010

06 Mary O'Malley, Altar 3, 2010 (detail)
(c) Mary O’Malley, Altar 3, 2010 (detail)

07 Mary O'Malley, Hanging Garden, 2008
(c) Mary O’Malley, Hanging Garden, ink on paper, 72″ x 60″, 2008

08 Mary O'Malley, Untitled, 2009
(c) Mary O’Malley, Untitled, ink on paper, 19″ x 25.5″, 2009

Mary O’Malley kindly let me share her work on A Journey Round My Skull. For a few years, I have been ogling her cover art for Susan Alcorn’s vinyl lp “… and i await the resurrection of the pedal steel guitar.” Here is her artist statement:

My work begins with a fascination with nature and natural processes in all its complexity and richness. My most recent body of work consists of tightly rendered ink drawings on paper, mostly using metallic inks on velvety black paper. This minimum palette helps to emphasize the complex detail and ornate patterning of the drawing. In the spirit of outsider and visionary artists, each mark is hand drawn using fine-point pens. I draw inspiration from the unpredictable and wild side of nature, combined with a hybrid of images from many sources — botanical illustration, natural and biomorphic forms, microscopic scientific imagery, ancient and modern decorative arts, architecture, and textile patterns. Flora and fauna, obsessive patterning and a Baroque sensibility come together to create a new world of hybrid chandeliers, curious bouquets, dense gardens and imagined landscapes. They exist somewhere between the wild irrationality of nature and the rigorous orderliness of lace patterns. I am interested in a beauty that is blatantly sensuous, unapologetically pretty, boldly decorative, and aggressively feminine. These pieces embody the spirit of a gaudy chandelier dripping with crystals and lights, a blinding, ridiculous beauty that attracts and repels.

For further enjoyment: Haeckel

Previously:
Unica Zurn
Alexandro Garcia
Bette Burgoyne
Anya Triestram
Shuzo Takiguchi
Penny Davenport
Herbert Pfostl
Graham Lambkin
Čiurlionis

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