Appropriating Rural Poverty

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We’re living in a golden decade for rural escapist fare: the latest, most extreme iteration of a cultural construct that effectively removes people living there from society’s list of concerns. The effect of these savvy new Westerns is, in some ways, even more insidious than their progenitors’, since they incorporate the countryside’s decline into the genre’s standard narrative, and, in so doing, effectively ignore that decline by aestheticizing it.

In The American Reader, Matthew Wolfson argues that writers have appropriated rural poverty for fiction and in doing so, are ignoring the plight of real people.


P.E. Garcia is an Editor-at-Large for the Rumpus and a contributor to HTMLGiant. They currently live in Philadelphia, where they were recently accidentally elected to be Judge of Elections. Find them on Twitter: @AvantGarcia. More from this author →