William Giraldi talks about writing in spite of Catholicism:
The Catholic O’Connor, in other words, has no Catholic agenda when she sits at the campfire to tell her story—across her singular canon all is chaos in search of grace, all is enigma unveiled but unsolved, and no credo is a clear victor. In her essay “The Church and the Fiction Writer,” she asserts that the novelist’s “first concern will be the necessities that present themselves in the work,” not in the doctrine of her religion.
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