In a thoughtful essay for Boston Review, Jessa Crispin reflects on the gender dynamics of travel writing, and the genre’s penchant for a colonial mentality that persists in today’s narratives:
Any travel writer who deviates from gender-defined roles risks being overlooked. And that is a shame because we do not need men to explain the world’s far-off reaches to us anymore. It turns out the inhabitants of the far-off reaches have voices of their own. Nor do we still need women to tell us it is fine to set up a life outside of marriage and family. What we do need are more writers willing to break free of travel writing’s colonial tendencies
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