To Pimp Postmodernism


Over at the Los Angeles Review of Books, Casey Michael Henry considers Kendrick Lamar’s To Pimp a Butterfly a new bid to revive a “Black Postmodernism”:

Not only does the album fulfill many specific qualities of postmodernism, and postmodernism specifically shaped by black experience, but also does so within a form traditionally consigned to canonical, usually white, “masters” like Melville and Pynchon.

Guia Cortassa was born, lives, and works in Milan, Italy. After working as a Contemporary Art curator, she went back to writing. She is a contributing editor for Ondarock and her writing has appeared on Rivista Studio, Flair and the Quietus. She compulsively tweets @gcmorvern. More from this author →