The Comic Tragedy of King Lear


Matthew Wills writes for JSTOR Daily on the romcom interpretation of King Lear. Wills brings to attention the fact that for almost two centuries, a version of Shakespeare’s Lear by poet Nahum Tate, one with little tragedy and a happy ending, was almost the only version seen on stage until the mid-19th century.

Michelle Vider is a writer based in Philadelphia. Her work has appeared/is forthcoming in The Toast, Lady Churchill’s Rosebud Wristlet, Atlas and Alice, Baldhip Magazine, and others. Find her at or @meanchelled. More from this author →