At Heaven’s Gates


At the New Yorker, Richard Brody shares a eulogy for director Michael Cimino:

Cimino’s life work is a cinema of mourning, an art of grief, a nightmare of memory that finds its sole redemption in ecstasy—the heightened perception that transforms experience into a grand internal spectacle, which finds its own embodiment in Cimino’s own profound visual imagination.

Adam Keller is a Wesleyan graduate currently based in Oakland, California. He's a founding editor of REELYDOPE and used to write for The Argus. More from this author →