Time Risk in Hollywood


Screenwriters do the bulk of their work prior to the green light. Cameras not rolling. Trying to get films made. They toil at the wrong end of the time risk curve, taking on time risk in a myriad of forms. 

In a column for Wordplay, screenwriter Terry Rossio explores the notion of “time risk” as it relates to “the power structure of Hollywood”— i.e., the relationship between screenwriters, producers, directors, actors, and agents. He concludes by offering some thoughts for screenwriters “to get time risk to work in [their] favor.”

Stephanie Bento is a writer, classical cellist, and photographer living in Washington, DC. In her writing, she is interested in exploring the musicality of sound and form, and our connection to time and place. Find out more about her creative work at saudadebelle.com, or say hello/bonjour on Twitter @saudadebelle. More from this author →