Screenwriters do the bulk of their work prior to the green light. Cameras not rolling. Trying to get films made. They toil at the wrong end of the time risk curve, taking on time risk in a myriad of forms.
In a column for Wordplay, screenwriter Terry Rossio explores the notion of “time risk” as it relates to “the power structure of Hollywood”— i.e., the relationship between screenwriters, producers, directors, actors, and agents. He concludes by offering some thoughts for screenwriters “to get time risk to work in [their] favor.”