There’s something very unsettling about the idea of editing someone’s personal and autobiographical journal. After all, it’s supposed to be a portal into the past: Anne’s experience in the annex, exactly what happened exactly as it happened.

At The Establishment, Stephanie Watson makes the case for buying only the unabridged version of Anne Frank’s Diary—the version we’re all familiar with was sanitized of all passages about her sexuality and other gender-specific topics.